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Home Tech talk

How does Wilfried Van Baelen experience sound at home?

Marco Lisi by Marco Lisi
July 29, 2026
in Tech talk
Reading Time: 3 mins read

Best of high end visited the Galaxy Studios in Mol, Belgium; the home of AURO-3D. In this fourth part we asked CEO Wilfried Van Baelen: “How do you like to listen to music: vinyl, tape, cd or hi-res streaming?”.

Those personal preferences echo the same emotional standard he applies professionally, and point toward where he sees audio and video heading next.

  • Studio and home are 2 different things
  • The lovely flavor of tapes
  • Analog versus digital
  • Let’s get immersed!
  • High frame rate is the new black

Studio and home are 2 different things

Wilfried Van Baelen: ‘The question of how I privately experience sound at home? People often ask me that question. Do you still listen to vinyl? They wonder if I have the best audio equipment at home. Honestly, those are different things for me. From sound quality perspective improvements like a higher sample rate, digital sound brings us closer to the natural sound. When done right that is. Digital does not always mean better. That’s the marketing confusing us. I understand that analog is the best quality. But what’s analog?

wilfried-van-baelen-part4-2

The lovely flavor of tapes

I see people with analog tapes again. I love analog tapes because they add color, a kind of flavor to the sound that relates to the emotional aspect of the sound experience. I used to work a lot with tapes and I remember the ‘organic’ compression that you can’t do in a digital way. There are certain emotional values related to analog technology.

wilfried-van-baelen-part4-3

Analog versus digital

Digital sound seems more real. You can compare it with film stock versus digital picture. People often find digital pictures ‘too’ real, while film stock maintains that ‘filmic’ look. Now we’re talking about emotions again: some people like the ‘real’ thing better because it brings you closer to reality. There are different aspects to keep in mind.

wilfried-van-baelen-part4-4

Let’s get immersed!

The most important question we should ask ourselves is: “How are we getting immersed?”. I see an interesting next step in the AV industry. Technology nowadays focuses more on our subconscious. True 3D sound transfers your subconsciousness more into the overall experience.

wilfried-van-baelen-part4-5

High frame rate is the new black

The same thing happens with the picture. We are talking about 4K resolution and high dynamic range. A higher frame rate will immerse you even more in my opinion. This way our brain cannot ‘see’ the difference between reality and what you reproduce. A frame rate of 60 frames per second at 4K resolution in 3D, along with sound in 3D brings a whole new experience!

wilfried-van-baelen-part4-6

A few top directors with whom we work, utilize this technology while bringing new products to the market. I strongly believe that this is a new level of entertainment and it’s right in front of us. It will appear in games, music, movies and sports and transform you to another place. Just like in Star Wars, where you go from one place to the other. We’re close to that reality now. The technology will bring us to that enhanced experience, anywhere.”.

Visit the website of Galaxy Studios.

Frequently asked questions

How does Wilfried Van Baelen personally like to listen to music?

He separates his professional and personal listening, values analog tape for its emotional “flavor,” and sees digital as bringing sound closer to reality when done right.

Why does he still like analog tape?

For the organic compression and emotional color it adds, which he associates with a more human sound.

What role does high frame rate play in immersive experience?

Combined with 4K and high dynamic range, higher frame rates help trick the brain into a more natural, less fatiguing experience.

Tags: Auro TechnologiesGalaxy StudiosWilfried Van Baelen
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Marco Lisi

Marco Lisi

Publisher

Marco Lisi is the publisher of Best of High End, part of AV Concepts BV. His path into audio started early: as a teenager he was drawn into the world of free radio, presenting shows and living immersed in music every day. In his early twenties he ran his own production studio for five years, creating jingles and commercials — hands-on training in sound design, pro-audio workflows, and critical listening through studio monitors that still shapes how he evaluates gear today. He also spent years DJing in clubs before moving into publishing, first at two earlier online magazines before founding Best of High End. His hi-fi and home cinema passion was inherited from his father, an inveterate system-swapper. Marco's first setup — a confirmation gift — paired AKAI separates with entry-level Bowers & Wilkins speakers, a brand he stayed loyal to for years as his system grew from stereo into full surround and home cinema. Like many enthusiasts, he went through an extended "audiophile" phase chasing the next upgrade, before settling into a more grounded view: gear as a means to enjoy music and film, not an end in itself. Years of critical listening have given him a well-trained ear — the ability to characterize a system or pinpoint a change in the chain quickly and accurately. Just as important, his teaching background (a Belgian "regent" degree in Dutch language) gives him the tools to translate those listening impressions into clear, readable writing.

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