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AURO TECHNOLOGIES SOLUTIONS TO BECOME PART OF THE CHINESE 3D AUDIO STANDARD (C3DA)

Marco Lisi by Marco Lisi
July 13, 2026
in News
Reading Time: 3 mins read

The Chinese Ministry of Industry and Information Technology (MIIT) and the National Radio and Television Administration (NRTA), have both requested accelerated development of 4K UHD and 3D audio related standards and to integrate the newest technology into the existing broadcast system. Auro Technologies participated in the standardisation process and key elements of the Auro-3D format and technology suite have been selected to become part of the upcoming Chinese 3D Audio Standard (C3DA), driving the immersive and interactive experience for the broadcast world.

aurotechnologies-3daudiostandard4

We are proud that our key technology becomes part of the Broadcast Standard for China 3D Audio. Being selected for the rendering in C3DA for both production tools as decoders for the end-user equipment, based on our audio format Auro 9.1, proves Auro Technologies knowledge and capabilities in the 3D audio world”.Rudy Van Duppen CEO of Auro Technologies

aurotechnologies-3daudiostandard1

Auro Technologies introduced “Immersive Sound” and revolutionised the audio industry with the Auro-3D Format, after its inventor Wilfried Van Baelen presented its 3D speaker layouts in 2006 at the AES convention. These speaker layouts (Auro 9.1 up to Auro 13.1) were adopted by various standards such as ITU-R BS.2051, which is also used by the new Chinese 3D Audio Standard.  Although the naming uses a different numbering system, Auro 9.1, or 5.1.4 (5.1 + 4 Height speakers), it still remains the most efficient speaker layout to reproduce a 3D sound field whilst maintaining backwards compatibility with 5.1 Surround.

With the introduction of object-based audio in the broadcast world, new interactive experiences will be brought to the consumer, such as the selection of multiple spoken language tracks, additional commentary etc., but also the ability to control the levels of different elements, e.g. the dialogue in the audio mix.

aurotechnologies-3daudiostandard3

With the adoption of the Auro-3D channel-based configurations, C3DA can already provide a truly immersive experience in the most efficient way.  In addition to this, dynamic objects will be rendered using the Auro-3D Object Renderer. The full immersive experience can be rendered on a standard pair of headphones, with the inclusion of Auro’s headphone rendering technology e.g. on mobile devices.  Auro Technologies and its global partners, supported by Beijing Jetsen (a leading AV Company in China), will bring the ultimate immersive audio experience to CE devices in China.

To enable the new creative possibilities when adding the third dimension in sound (height), Auro Technologies has updated the Auro-3D Creative Tool Suite with multiple new ways to create content for this new C3DA standard. The plug-in suite for Pro Tools is the first one on the market to fully support the post-production workflow for the new Chinese 3D audio standard.

Since the natural way for humans to perceive sound is in 3D, Immersive sound (or 3D audio) brings the listener automatically closer to the story and action on the screen.  A new era of immersive experiences for broadcast is on the horizon, especially for movies, sports and games.

The more you hear, the more you feel….and China is ready for it!

Tags: Auro TechnologiesAuro-3D
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Marco Lisi

Marco Lisi

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Marco Lisi is the publisher of Best of High End, part of AV Concepts BV. His path into audio started early: as a teenager he was drawn into the world of free radio, presenting shows and living immersed in music every day. In his early twenties he ran his own production studio for five years, creating jingles and commercials — hands-on training in sound design, pro-audio workflows, and critical listening through studio monitors that still shapes how he evaluates gear today. He also spent years DJing in clubs before moving into publishing, first at two earlier online magazines before founding Best of High End. His hi-fi and home cinema passion was inherited from his father, an inveterate system-swapper. Marco's first setup — a confirmation gift — paired AKAI separates with entry-level Bowers & Wilkins speakers, a brand he stayed loyal to for years as his system grew from stereo into full surround and home cinema. Like many enthusiasts, he went through an extended "audiophile" phase chasing the next upgrade, before settling into a more grounded view: gear as a means to enjoy music and film, not an end in itself. Years of critical listening have given him a well-trained ear — the ability to characterize a system or pinpoint a change in the chain quickly and accurately. Just as important, his teaching background (a Belgian "regent" degree in Dutch language) gives him the tools to translate those listening impressions into clear, readable writing.

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