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Linn Urika II phono stage

Marco Lisi by Marco Lisi
July 13, 2026
in News
Reading Time: 2 mins read
linn-urikaII-phono-stage

Using cutting-edge digital signal processing technology, the Linn Urika II now carries out the key process of implementing the RIAA curve in the digital domain. This brings you lower distortion, lower noise and more music. Transported over Exakt Link, the musical information that Urika II delivers is perfectly preserved until the moment it reaches your ears, delivering a musical experience like never before. That’s not all. Linn takes the same approach with Urika II that they did with their Exakt-enabled loudspeakers. This means the brand can optimise each and every individual device, correcting the variations inherent in the analogue stage to ensure outstanding performance every time.

linn-urikaII-phono-stage-2

Optimsed with cartridge load values

Urika II can be optimised to work with your preferred cartridge load values. Simply choose from a list of popular Linn cartridges or enter your own. You can even optimise Urika II for your most comfortable armchair, and easily change when you next upgrade your cartridge. Urika II is powered by our extraordinary Radikal power supply and is mounted on the integrated Trampolin base board within the plinth of your Sondek LP12 to maintain phono stage isolation and improve deck suspension.

Features

  • Moving coil (MC) internal phono stage for LP12
  • The most precise implementation of the RIAA curve
  • Converts music signal to digital at the earliest point possible
  • Lossless digital output over Exakt Link*
  • Component manufacturing tolerances measured and corrected
  • Optimised for your chosen cartridge

*Requires an Exakt-enabled Linn DS or Linn DSM player in the system

linn-urikaII-phono-stage-3

Visit the Linn website.

Tags: LinnPhono preamplifier
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Marco Lisi

Marco Lisi

Publisher

Marco Lisi is the publisher of Best of High End, part of AV Concepts BV. His path into audio started early: as a teenager he was drawn into the world of free radio, presenting shows and living immersed in music every day. In his early twenties he ran his own production studio for five years, creating jingles and commercials — hands-on training in sound design, pro-audio workflows, and critical listening through studio monitors that still shapes how he evaluates gear today. He also spent years DJing in clubs before moving into publishing, first at two earlier online magazines before founding Best of High End. His hi-fi and home cinema passion was inherited from his father, an inveterate system-swapper. Marco's first setup — a confirmation gift — paired AKAI separates with entry-level Bowers & Wilkins speakers, a brand he stayed loyal to for years as his system grew from stereo into full surround and home cinema. Like many enthusiasts, he went through an extended "audiophile" phase chasing the next upgrade, before settling into a more grounded view: gear as a means to enjoy music and film, not an end in itself. Years of critical listening have given him a well-trained ear — the ability to characterize a system or pinpoint a change in the chain quickly and accurately. Just as important, his teaching background (a Belgian "regent" degree in Dutch language) gives him the tools to translate those listening impressions into clear, readable writing.

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