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Audiolab Introduces the PPA7 Phono Preamplifier

A compact MM/MC phono stage with a headphone amp, Bluetooth aptX HD and USB-C recording, styled to match the D7 DAC

Marco Lisi by Marco Lisi
October 16, 2026
in News, Analog sources
Reading Time: 2 mins read
Audiolab PPA7 phono preamplifier

Audiolab PPA7 phono preamplifier

Audiolab has introduced the PPA7, a compact phono preamplifier designed to sit alongside the brand’s D7 DAC and give vinyl collectors a flexible, feature-rich way to bring a turntable into a modern system. Shown at High End 2026 in Vienna, the Audiolab PPA7 pairs serious analogue phono-stage engineering with digital conveniences that go well beyond a typical standalone preamp.

  • Built for MM and MC cartridges
  • Headphone amp, Bluetooth and USB-C recording
  • Design that matches the D7
  • Pricing and availability
  • Key specifications

Built for MM and MC cartridges

At its core, the PPA7 is a dedicated phono preamplifier supporting both Moving Magnet and Moving Coil cartridges. MM loading offers 47kOhm impedance with selectable 100pF or 220pF capacitance, while MC loading can be set to 100 or 330 Ohms, letting owners match the preamp precisely to their cartridge of choice. Audiolab specifies a gain of +46dB for MM and +60dB for MC, with a signal-to-noise ratio of 80dB (A-weighted) on both inputs and total harmonic distortion below 0.003% on the line output.

Headphone amp, Bluetooth and USB-C recording

Beyond the phono stage itself, the PPA7 adds a dedicated current-feedback headphone amplifier for direct monitoring from vinyl. Bluetooth 5.3 with aptX HD transmission lets the signal be sent wirelessly to headphones or a pair of powered speakers, while a USB-C port doubles as a digitising interface, capturing records at up to 192kHz/24-bit with adjustable gain from -12dB to +3dB. A 33mm OLED display on the front panel keeps track of settings at a glance.

Design that matches the D7

Housed in an aluminium chassis available in Black or Deep Silver, the PPA7 is styled to complement Audiolab’s D7 DAC and sit comfortably alongside the brand’s 6000 and 7000 Series components. At 208 x 56 x 180mm and 1.42kg, it is compact enough to tuck beside a turntable or integrated amplifier without demanding much shelf space. Full details are available via Audiolab’s own product page.

Audiolab PPA7 phono preamplifier front panel
The Audiolab PPA7’s front panel, with its 33mm OLED display and dedicated headphone output.

Pricing and availability

The Audiolab PPA7 carries a launch price of €599 and is expected to reach dealers from September 2026 onward, in Black or Deep Silver finishes. Audiolab’s UK site does not list pricing directly, so the figure above reflects show and retailer coverage at launch; local availability and pricing may vary by market.

Audiolab PPA7 phono preamplifier rear panel connections
The rear panel carries separate MM and MC phono inputs, a line-level output, USB-C and 12V trigger connections.

Key specifications

  • Phono preamplifier for MM (47kOhm, 100pF/220pF) and MC (100/330 Ohm) cartridges
  • Gain: +46dB (MM) / +60dB (MC); S/N ratio 80dB (A-weighted, both inputs)
  • THD: <0.003% (line output), <0.01% (headphone, 1kHz/50mW)
  • Dedicated current-feedback headphone amplifier
  • Bluetooth 5.3 with aptX HD transmission to headphones or speakers
  • USB-C recording interface, 44.1-192kHz / 16-24-bit, adjustable gain -12dB to +3dB
  • 33mm OLED front-panel display
  • Aluminium chassis in Black or Deep Silver; 208 x 56 x 180mm, 1.42kg
  • Designed to complement the Audiolab D7 DAC and 6000/7000 Series
  • Price: €599; availability from September 2026

For more on Audiolab’s current lineup, see our coverage of the Audiolab D7 and D9 DACs.

Tags: AudiolabAudiolab PPA7Phono preamplifierPhonostage
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Marco Lisi

Marco Lisi

Publisher

Marco Lisi is the publisher of Best of High End, part of AV Concepts BV. His path into audio started early: as a teenager he was drawn into the world of free radio, presenting shows and living immersed in music every day. In his early twenties he ran his own production studio for five years, creating jingles and commercials — hands-on training in sound design, pro-audio workflows, and critical listening through studio monitors that still shapes how he evaluates gear today. He also spent years DJing in clubs before moving into publishing, first at two earlier online magazines before founding Best of High End. His hi-fi and home cinema passion was inherited from his father, an inveterate system-swapper. Marco's first setup — a confirmation gift — paired AKAI separates with entry-level Bowers & Wilkins speakers, a brand he stayed loyal to for years as his system grew from stereo into full surround and home cinema. Like many enthusiasts, he went through an extended "audiophile" phase chasing the next upgrade, before settling into a more grounded view: gear as a means to enjoy music and film, not an end in itself. Years of critical listening have given him a well-trained ear — the ability to characterize a system or pinpoint a change in the chain quickly and accurately. Just as important, his teaching background (a Belgian "regent" degree in Dutch language) gives him the tools to translate those listening impressions into clear, readable writing.

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