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SMSL R100 Launches With a Browser-Based EQ Inside an R2R DAC

A $289 R2R DAC pairs dual AD1861-J chips with a driver-free, browser-based parametric EQ

Marco Lisi by Marco Lisi
September 17, 2026
in News, Digital sources
Reading Time: 3 mins read
SMSL R100 R2R DAC on a desk with parametric EQ software shown on a laptop screen

SMSL has launched the R100, a desktop R2R DAC built around a pair of Analog Devices AD1861-J chips and a parametric EQ that is set up entirely from a web browser. Following FiiO’s K11 R2R and K13 R2R into the budget end of the R2R market, the SMSL R100 is priced at $289 and aims to bridge classic analog warmth with modern digital performance without requiring drivers or a dedicated app.

  • Two Classic Chips, Hand-Matched at the Factory
  • Bridging an 18-Bit Chip to Modern Formats
  • A Parametric EQ You Set From a Browser
  • CNC-Machined Chassis With Viewing Windows
  • Pricing and availability
  • Key specifications

Two Classic Chips, Hand-Matched at the Factory

SMSL R100 R2R DAC angled view showing the CNC-machined aluminium chassis
The SMSL R100’s CNC-machined aluminium chassis includes two windows onto the circuit board

At the heart of the SMSL R100 sit two AD1861-J chips from Analog Devices, one per channel. Unlike DAC designs that build an R2R ladder from discrete resistors, the AD1861 is a monolithic chip with the ladder built in, so SMSL’s job is tuning the surrounding circuitry rather than the ladder itself. Each SMSL R100 unit is adjusted by hand at the factory so the two channels match, and a patented de-glitch circuit is designed to clean up the small errors an R2R ladder produces every time it switches between values. SMSL also includes a self-developed low-jitter clock algorithm intended to keep timing errors in check.

Bridging an 18-Bit Chip to Modern Formats

SMSL R100 R2R DAC rear panel showing XLR, RCA, USB, coaxial and optical connections
USB, coaxial and TOSLINK inputs sit alongside balanced XLR and single-ended RCA outputs

The SMSL R100 accepts USB audio up to 32-bit/768kHz PCM and DSD512, with coaxial and TOSLINK inputs topping out at 24-bit/192kHz PCM or DSD64 over DoP. Because the AD1861 is natively an 18-bit chip, SMSL places a 16x oversampling FIR filter ahead of the ladder chips to bridge the gap between those incoming formats and what the converter itself can resolve, with DSD signals converted before they reach the chips. Analogue outputs are balanced XLR at 3.5V and single-ended RCA at 1.75V, enough to drive an integrated amplifier or a pair of active loudspeakers directly. SMSL’s own measurements on an Audio Precision APx555 put THD+N at around 0.0025% from the balanced output. There is no headphone output and no volume control on the SMSL R100 — it is a DAC and nothing else.

A Parametric EQ You Set From a Browser

SMSL R100 R2R DAC top view showing the chassis viewing windows
The SMSL R100’s Web-based PEQ needs no separate driver or desktop app

Alongside its R2R architecture, the SMSL R100 includes a driver-free, Web-based parametric EQ, configured entirely through a browser rather than a dedicated app. The parametric EQ lets a listener pick a frequency, set how wide a slice of the audio band to affect, and then cut or boost it — useful for taming a bass-heavy room or softening a bright pair of speakers or headphones. Filters save to one of two onboard memory slots, EQ1 or EQ2, with the SMSL R100 able to switch between those settings and a bypass mode called Direct.

CNC-Machined Chassis With Viewing Windows

The SMSL R100’s chassis is CNC-machined from aluminium, with two clear windows cut into the lid so the circuit board underneath stays visible during use. Silver is the only finish SMSL has listed so far for the R100.

Pricing and availability

The SMSL R100 is available now in the United States for $289; European pricing had not been announced at the time of writing. Full details are listed on SMSL’s official product page.

Key specifications

  • Model: SMSL R100 desktop R2R DAC
  • DAC chips: 2x Analog Devices AD1861-J (18-bit R2R ladder), hand-matched per unit
  • Error correction: patented de-glitch circuit; self-developed low-jitter clock algorithm
  • Oversampling: 16x oversampling FIR filter ahead of the DAC chips
  • USB input: PCM up to 32-bit/768kHz, DSD up to DSD512
  • Coaxial / TOSLINK input: PCM up to 24-bit/192kHz, DSD64 via DoP
  • Analogue outputs: balanced XLR (3.5V), single-ended RCA (1.75V)
  • Distortion: approx. 0.0025% THD+N (balanced, per SMSL’s APx555 measurements)
  • EQ: driver-free Web-based parametric EQ, EQ1/EQ2 memory slots plus Direct bypass
  • Chassis: CNC-machined aluminium with viewing windows
  • Finish: Silver
  • Headphone output / volume control: none
  • Price: $289, available now in the US; European pricing TBA
Tags: DACsSMSLSMSL R100
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Marco Lisi

Marco Lisi

Publisher

Marco Lisi is the publisher of Best of High End, part of AV Concepts BV. His path into audio started early: as a teenager he was drawn into the world of free radio, presenting shows and living immersed in music every day. In his early twenties he ran his own production studio for five years, creating jingles and commercials — hands-on training in sound design, pro-audio workflows, and critical listening through studio monitors that still shapes how he evaluates gear today. He also spent years DJing in clubs before moving into publishing, first at two earlier online magazines before founding Best of High End. His hi-fi and home cinema passion was inherited from his father, an inveterate system-swapper. Marco's first setup — a confirmation gift — paired AKAI separates with entry-level Bowers & Wilkins speakers, a brand he stayed loyal to for years as his system grew from stereo into full surround and home cinema. Like many enthusiasts, he went through an extended "audiophile" phase chasing the next upgrade, before settling into a more grounded view: gear as a means to enjoy music and film, not an end in itself. Years of critical listening have given him a well-trained ear — the ability to characterize a system or pinpoint a change in the chain quickly and accurately. Just as important, his teaching background (a Belgian "regent" degree in Dutch language) gives him the tools to translate those listening impressions into clear, readable writing.

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