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Home News

Kalista unveils DreamPlay S streaming transport

A hand-built French streaming transport dedicated purely to digital output

Marco Lisi by Marco Lisi
July 20, 2026
in News, Digital sources
Reading Time: 2 mins read
Kalista DreamPlay S streaming player

Kalista DreamPlay S

French high-end specialist Kalista, part of the Métronome Technologie manufacture, has introduced the DreamPlay S, a dedicated streaming transport built entirely by hand in France. Positioned as a music-only source rather than a jack-of-all-trades network player, the Kalista DreamPlay S is designed to hand its digital output to an external DAC with as little compromise as possible along the way.

  • A sanctuary built purely for streaming
  • Streaming integrations built in
  • Hand-built in two finishes
  • Availability
  • Pricing and availability
  • Key specifications

A sanctuary built purely for streaming

Kalista describes the DreamPlay S as a “streaming sanctuary,” and the product brief backs that framing: rather than bundling in a volume control, headphone stage or built-in DAC, the Kalista DreamPlay S dedicates its entire architecture to retrieving and delivering a digital audio stream as cleanly as possible. That includes support for PCM up to 384kHz/32-bit and native DSD up to DSD256, fed out through a choice of S/PDIF, AES/EBU or I2S digital outputs, letting owners route the signal to whichever external DAC already anchors their system.

Kalista DreamPlay S chassis detail
A close-up of the hand-crafted chassis on the Kalista DreamPlay S

Streaming integrations built in

The Kalista DreamPlay S ships with a wide net of streaming protocol support, including Roon Ready certification, Spotify Connect, TIDAL Connect, Deezer and Qobuz Connect, the latter creating a direct server-to-player link that bypasses a smartphone entirely. It also carries MQA rendering and is certified for use with Audirvāna, giving owners several different software paths into the same transport depending on how they prefer to manage their library. Dual-band WiFi, Gigabit Ethernet and a USB 2.0 port for external storage round out the connectivity, echoing the network-first approach taken by transports like the Ferrum BROEN, another dedicated streaming transport designed to feed an outboard DAC rather than convert digital to analogue itself.

Kalista DreamPlay S engineering detail
A detail view highlighting the noble materials used in the Kalista DreamPlay S

Hand-built in two finishes

True to Kalista’s positioning above sister brand Métronome, the Kalista DreamPlay S is offered in two finishes, Black Pearl and Diamond, each hand-finished within the French manufacture. Optional accessories include a dedicated anti-vibration silent base and a classic tripod stand, both aimed at further isolating the transport from mechanical noise in the listening room. Weighing up to 14kg depending on configuration, the Kalista DreamPlay S is built with the same obsessive attention to materials that Kalista applies across its DreamPlay range.

Kalista DreamPlay S display and controls
The front panel and display of the Kalista DreamPlay S

Availability

Full specifications and finish options for the Kalista DreamPlay S are listed on the official Kalista product page.

Pricing and availability

The Kalista DreamPlay S is available now through Kalista’s dealer network; pricing is available on request from authorised retailers.

Key specifications

  • Dedicated streaming transport, hand-built by Métronome Technologie in France
  • PCM up to 384kHz/32-bit; native DSD up to DSD256
  • Digital outputs: S/PDIF, AES/EBU, I2S
  • Roon Ready, Spotify Connect, TIDAL Connect, Deezer, Qobuz Connect, DLNA/UPnP
  • MQA rendering; certified compatible with Audirvāna
  • Dual-band WiFi, Gigabit Ethernet, USB 2.0 for external storage
  • Available in Black Pearl and Diamond finishes
  • Optional anti-vibration silent base and tripod stand
  • Weight: up to 14 kg depending on configuration
Tags: KalistaKalista DreamPlay S
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Marco Lisi

Marco Lisi

Publisher

Marco Lisi is the publisher of Best of High End, part of AV Concepts BV. His path into audio started early: as a teenager he was drawn into the world of free radio, presenting shows and living immersed in music every day. In his early twenties he ran his own production studio for five years, creating jingles and commercials — hands-on training in sound design, pro-audio workflows, and critical listening through studio monitors that still shapes how he evaluates gear today. He also spent years DJing in clubs before moving into publishing, first at two earlier online magazines before founding Best of High End. His hi-fi and home cinema passion was inherited from his father, an inveterate system-swapper. Marco's first setup — a confirmation gift — paired AKAI separates with entry-level Bowers & Wilkins speakers, a brand he stayed loyal to for years as his system grew from stereo into full surround and home cinema. Like many enthusiasts, he went through an extended "audiophile" phase chasing the next upgrade, before settling into a more grounded view: gear as a means to enjoy music and film, not an end in itself. Years of critical listening have given him a well-trained ear — the ability to characterize a system or pinpoint a change in the chain quickly and accurately. Just as important, his teaching background (a Belgian "regent" degree in Dutch language) gives him the tools to translate those listening impressions into clear, readable writing.

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