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Graphite Audio Strips All Metal Out of the Enso Rack System

Graphite Audio expands beyond isolation platforms with a fully non-metallic Enso rack system in single and double-width configurations

Marco Lisi by Marco Lisi
August 16, 2026
in News, Accessories
Reading Time: 2 mins read
Graphite Audio Enso non-metallic audio rack system

The Graphite Audio Enso, a 100% non-metallic and non-magnetic rack system

Graphite Audio has followed up its CLASSIC Isolation Platforms with a complete equipment rack. The Graphite Audio Enso is built as a 100% non-metallic, non-magnetic support structure, extending the brand’s acoustic-polymer approach from single platforms to an entire architectural foundation for a reference system.

  • Zero Metal, Two Configurations
  • Micro-Veneer Plywood and an Acoustic Sink
  • Built to Be Upgraded
  • Pricing and availability
  • Key specifications

Zero Metal, Two Configurations

The core idea behind the Graphite Audio Enso is straightforward: metal parts in a traditional rack store kinetic energy and introduce subtle ringing, so Graphite Audio has removed metal from the support chain entirely. The system ships in two architectures. Enso X is a single-tower configuration built around the brand’s signature X-frame, carried on 4 massive load-bearing pillars. Enso XX doubles the width, connecting two X-frames on 6 pillars for larger component arrays, and can carry structural loads of up to 100kg per platform.

Graphite Audio Enso rack system X-frame pillar detail

Micro-Veneer Plywood and an Acoustic Sink

The X-frame structure and component platforms are built from the same 0.5mm micro-veneer plywood used in Graphite Audio’s CLASSIC line, chosen for its rigidity combined with broad-band resonance dissipation. For the load-bearing pillars, a different material was required: Graphite Audio identified a specialised engineering polymer with high internal damping, selected specifically to act as an acoustic sink that converts vibration into negligible heat rather than reflecting it back into connected components. Platforms can optionally be upgraded to Graphite Audio’s proprietary ULTRA board, machined from the same acoustic polymer used across the brand’s accessories.

Graphite Audio Enso rack system loaded with high-end components

Built to Be Upgraded

Graphite Audio has designed the Enso to evolve rather than sit still. In 2027, the company plans to introduce dedicated spikes machined from its signature proprietary polymer, offered as a direct upgrade path for the rack’s load-bearing pillars. Buyers can also choose from three clearance heights (130/180/230mm) and optional pillar extensions (100/150/200mm), plus a range of RAL/NCS matte and gloss finishes for both frame and platforms, allowing the Enso rack to be tailored to a specific room and system rather than sold as a single fixed configuration.

Graphite Audio Enso rack system micro-veneer plywood platform

Pricing and availability

Graphite Audio has not published retail pricing for the Enso; the rack is available to order through the brand’s international dealer network, with configuration (Enso X or Enso XX, clearance height, pillar extensions, and finish) confirmed at the point of order. Full specifications are listed on Graphite Audio’s own product page.

Key specifications

  • Frame dimensions: 730x730mm (Enso X), 1335x730mm (Enso XX)
  • Platform dimensions: 550x550mm, 520x520mm working area on optional ULTRA platforms
  • Pillars: 60mm diameter, 4 (Enso X) or 6 (Enso XX), black finish
  • Clearance options: 130/180/230mm, with 100/150/200mm optional extensions
  • Max load per platform: 100kg
  • Frame material: 0.5mm micro-veneer plywood X-frame and platforms
  • Pillar material: proprietary high-damping engineering polymer, zero metal
  • Finishes: RAL/NCS matte (frame), RAL/NCS matte or high gloss (platforms), optional ULTRA Red/Copper/Grey
Tags: Audio racksGraphite Audio Enso
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Marco Lisi

Marco Lisi

Publisher

Marco Lisi is the publisher of Best of High End, part of AV Concepts BV. His path into audio started early: as a teenager he was drawn into the world of free radio, presenting shows and living immersed in music every day. In his early twenties he ran his own production studio for five years, creating jingles and commercials — hands-on training in sound design, pro-audio workflows, and critical listening through studio monitors that still shapes how he evaluates gear today. He also spent years DJing in clubs before moving into publishing, first at two earlier online magazines before founding Best of High End. His hi-fi and home cinema passion was inherited from his father, an inveterate system-swapper. Marco's first setup — a confirmation gift — paired AKAI separates with entry-level Bowers & Wilkins speakers, a brand he stayed loyal to for years as his system grew from stereo into full surround and home cinema. Like many enthusiasts, he went through an extended "audiophile" phase chasing the next upgrade, before settling into a more grounded view: gear as a means to enjoy music and film, not an end in itself. Years of critical listening have given him a well-trained ear — the ability to characterize a system or pinpoint a change in the chain quickly and accurately. Just as important, his teaching background (a Belgian "regent" degree in Dutch language) gives him the tools to translate those listening impressions into clear, readable writing.

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