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Magico MRack Brings Fifteen Years of R&D to a Public Equipment Stand

Magico brings its internal R&D equipment stand to market, applying fifteen years of resonance-control research from its loudspeaker lineup to the components beside them.

Marco Lisi by Marco Lisi
August 20, 2026
in News, Accessories
Reading Time: 3 mins read

The Magico MRack, an equipment stand born out of the brand’s own listening room research, is now available to the public. Developed over fifteen years of testing amplifiers, DACs, servers, transports and turntables during the development of more than two dozen Magico loudspeaker models, the MRack applies the same resonance-control philosophy Magico built into its Q-Series, M-Series and POD isolation products to the components sitting beside the speakers.

  • Built From Internal R&D, Not a Side Project
  • Constrained-Layer Damping in Every Shelf
  • Pricing and availability
  • An Accessory Line That Matches the Speakers
  • Key specifications

Built From Internal R&D, Not a Side Project

Magico originally designed the MRack purely for its own research and development work, using it to maximize system performance while voicing new loudspeaker designs in-house. Only after years of internal use did the company decide to bring the rack to market, positioning the Magico MRack as a distillation of everything the brand learned about resonance control and energy dissipation while refining its speaker lineup rather than a stand designed from a blank sheet of paper.

Magico MRack shown in 4-shelf and 3-shelf configurations
The Magico MRack is offered in 3-shelf and 4-shelf configurations, both finished in black anodized aluminum.

Constrained-Layer Damping in Every Shelf

Each shelf of the Magico MRack weighs 80 pounds and is built from five layers of constrained-layer-damped aluminum, copper and ISODAMP elastomer, a construction method designed to capture mechanical resonance and dissipate it as heat rather than letting it feed back into connected components. The vertical side struts share the same layered damping architecture and couple to the floor through Magico’s own MPOD footers, isolating every shelf from vibration transmitted through the room itself.

A full-length pure copper grounding rod runs through the rack, allowing each shelf and component to be grounded and channeling electrical noise away from sensitive electronics. Two machined aluminum rings on each elevated shelf improve cable management and reduce strain on IEC connections when running heavier power cords, while also aiding heat dissipation around amplifiers and other components that run warm.

Magico MRack platform supporting a component beside Magico loudspeakers
A Magico MRack platform in a listening room setting, supporting a component next to a pair of Magico loudspeakers.

Pricing and availability

Magico has not published pricing for the MRack on its website; interested buyers are directed to the brand’s dealer network to configure and order a rack. The Magico MRack is available in three-shelf and four-shelf versions, alongside standalone Vibration Dissipation Platforms (VDP) that use the same constrained-layer-damped construction and couple to the floor via three MPODs each, for buyers who need isolation for a single component rather than a full rack. Full ordering details are available through Magico’s official MRack page and its dealer locator.

An Accessory Line That Matches the Speakers

The Magico MRack sits alongside the brand’s core loudspeaker lineup, including recent models like the Magico S-Series, extending the same engineering priorities from the cabinets to the rack underneath the electronics driving them. For owners already invested in Magico’s approach to resonance control, the MRack offers a way to apply that same thinking to the rest of the system rather than treating equipment support as an afterthought.

Equipment racks are often treated as a purely visual or organizational purchase, but Magico’s own use of the MRack during loudspeaker development suggests the company sees it as a genuine part of overall system performance rather than a furniture item. Bringing an internal engineering tool to market, rather than designing a rack purely for retail, also gives the Magico MRack a different starting point than most third-party stands: it was refined against real components in a working listening room long before it carried a price tag or a dealer network.

Key specifications

  • Model: Magico MRack equipment stand
  • Configurations: 3-shelf and 4-shelf
  • Finish: black anodized aluminum
  • Shelf construction: 5-layer constrained-layer-damped aluminum, copper and ISODAMP elastomer
  • Shelf weight: 80 lbs each
  • Isolation: Magico MPOD footers at the base of each vertical strut
  • Grounding: full-length pure copper grounding rod
  • MRack 3-Shelf: 25.5″ (w) x 18″ (d) x 31.9″ (h), 320 lbs
  • MRack 4-Shelf: 25.5″ (w) x 18″ (d) x 42.6″ (h), 400 lbs
  • VDP Platform: 21″ (w) x 18″ (d) x 4.5″ (h), 90 lbs
  • Availability: through Magico’s dealer network, price on request
Tags: Audio racksMagicoMagico MRack
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Marco Lisi

Marco Lisi

Publisher

Marco Lisi is the publisher of Best of High End, part of AV Concepts BV. His path into audio started early: as a teenager he was drawn into the world of free radio, presenting shows and living immersed in music every day. In his early twenties he ran his own production studio for five years, creating jingles and commercials — hands-on training in sound design, pro-audio workflows, and critical listening through studio monitors that still shapes how he evaluates gear today. He also spent years DJing in clubs before moving into publishing, first at two earlier online magazines before founding Best of High End. His hi-fi and home cinema passion was inherited from his father, an inveterate system-swapper. Marco's first setup — a confirmation gift — paired AKAI separates with entry-level Bowers & Wilkins speakers, a brand he stayed loyal to for years as his system grew from stereo into full surround and home cinema. Like many enthusiasts, he went through an extended "audiophile" phase chasing the next upgrade, before settling into a more grounded view: gear as a means to enjoy music and film, not an end in itself. Years of critical listening have given him a well-trained ear — the ability to characterize a system or pinpoint a change in the chain quickly and accurately. Just as important, his teaching background (a Belgian "regent" degree in Dutch language) gives him the tools to translate those listening impressions into clear, readable writing.

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