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Diapason Didascalìa: An Italian Two-Way Reference Loudspeaker

Built by Alessandro Schiavi and Paolo Tezzon, the Didascalìa pairs an in-house tweeter and mid-woofer with side-firing passive radiators to extend a two-way design's bass response

Marco Lisi by Marco Lisi
September 21, 2026
in News, Loudspeakers
Reading Time: 3 mins read
Diapason Didascalìa walnut cabinet and leather baffle with tweeter and mid-woofer detail

Diapason Didascalia front baffle detail

Italian loudspeaker maker Diapason has unveiled the Diapason Didascalìa, a new flagship for its Reference Collection: a floorstanding two-way design built by Alessandro Schiavi and Paolo Tezzon. The name comes from the ancient Greek word for teaching, and the two designers describe the project as a tribute to the so-called Italian school of electro-acoustic design — a two-way philosophy long prized for its purity and immediacy, but historically limited in soundstage size and low-frequency extension. Diapason Didascalìa keeps the two-way configuration while engineering around those two constraints.

  • Diapason Didascalìa’s Cabinet: Solid Walnut and CNC-Machined Aluminium
  • In-House Drivers and an Electro-Mechanical Bass Brake
  • Pricing and Availability
  • Key Specifications

Diapason Didascalìa’s Cabinet: Solid Walnut and CNC-Machined Aluminium

The Diapason Didascalìa’s outer wings are built from eight seasoned solid-walnut slats, cross-grained and jointed with a viscoelastic glue that lets the slats move independently; each slat is seasoned for months and vacuum-roasted before receiving a zero-gloss, open-pore water-based finish. A lacquered version replaces the solid wood with a three-layer HDF sandwich wrapped in tulipwood veneer and finished with eight hand-polished coats. CNC machining carves the wings from the inside to create a reflection-free loading volume for the drivers and gives the cabinet a constrained-layer-damping construction. The main body combines HDF with high-pressure multilayer Baltic birch, reinforced by internal ribs, while CNC-machined aluminium “damp-shelves” wrap the structure as an exoskeleton that collects and dissipates residual vibration.

Diapason Didascalìa side-firing passive radiator and cabinet side view
A side view of the Didascalìa’s curved cabinet, showing the eight-slat solid-walnut wing and one of the side-firing passive radiators

In-House Drivers and an Electro-Mechanical Bass Brake

Diapason designed the Didascalìa’s drivers itself, with Scan Speak handling manufacturing. The 29 mm tweeter uses a hand-coated Kurt Mueller silk soft-dome diaphragm on a diffraction-optimised faceplate, a large neodymium magnet system and a non-resonant aluminium rear chamber. The 180 mm mid-woofer pairs an air-dried, hand-coated paper/nylon fibre-pulp cone with a six-magnet “Air Circ” neodymium system and copper rings that reduce non-linear and modulation distortion.

To extend bass response without abandoning the two-way layout, Diapason Didascalìa adds side-firing 220 x 260 mm racetrack-shaped passive radiators that share the mid-woofer’s loading volume. Despite being passive, the radiators carry their own magnet circuit, used purely as an electro-mechanical brake: a rear switch lets owners select between three different levels of diaphragm-excursion damping to match the speaker to the room, extending response below 40 Hz. A balanced, point-to-point hand-wired crossover with Jantzen C-Coil inductors and Mundorf Supreme EVO capacitors crosses over at 2,500 Hz, mounted in its own accessible sub-enclosure for future upgrades. An eco-leather-covered baffle mechanically time-aligns the tweeter and mid-woofer for an optimal listening distance from roughly two metres, while elastomer-suspended spikes decouple the cabinet from the floor.

Diapason Didascalìa rear view showing both side-firing passive radiators
The Didascalìa’s rear panel carries both side-firing passive radiators and the Greek “Didascalìa” engraving down its spine

Pricing and Availability

Diapason has not published pricing for the Diapason Didascalìa; as with much of the brand’s hand-built Reference Collection, interested buyers are directed to Diapason’s dealer network for a quote. The loudspeaker is available in solid walnut or black lacquer finishes, with delivery times set by the brand’s small-batch, hand-finished production process.

Diapason positions the Diapason Didascalìa as a statement piece rather than a volume product: every cabinet passes through months of seasoning and hand-polishing before assembly, and the crossover is deliberately housed in its own accessible sub-enclosure so the loudspeaker can be upgraded rather than replaced. For a brand built on the Italian two-way tradition, Diapason Didascalìa is presented as the clearest expression yet of that philosophy, scaled up without losing the immediacy the format is known for.

Key Specifications

  • Type: floorstanding two-way, 4 drivers (tweeter, mid-woofer, 2 passive radiators)
  • Tweeter: 29 mm silk soft dome, hand-coated, Diapason design / Scan Speak build
  • Mid-woofer: 180 mm paper/nylon fibre-pulp cone, Air Circ neodymium magnet system
  • Passive radiators: 220 x 260 mm racetrack, 3-position electro-mechanical damping brake
  • Crossover: balanced, point-to-point hand-wired, 2,500 Hz, Jantzen and Mundorf components
  • Frequency response: 35 Hz – 30,000 Hz
  • Sensitivity: 90 dB SPL (2.83 V @ 1 m)
  • Nominal impedance: 8 ohm
  • Finishes: solid walnut or black lacquer

Diapason Didascalìa joins the brand’s existing Reference Collection alongside models such as the Diapason Àstera. Further information is available directly from Diapason.

Tags: DiapasonDiapason DidascalìaLoudspeakers
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Marco Lisi

Marco Lisi

Publisher

Marco Lisi is the publisher of Best of High End, part of AV Concepts BV. His path into audio started early: as a teenager he was drawn into the world of free radio, presenting shows and living immersed in music every day. In his early twenties he ran his own production studio for five years, creating jingles and commercials — hands-on training in sound design, pro-audio workflows, and critical listening through studio monitors that still shapes how he evaluates gear today. He also spent years DJing in clubs before moving into publishing, first at two earlier online magazines before founding Best of High End. His hi-fi and home cinema passion was inherited from his father, an inveterate system-swapper. Marco's first setup — a confirmation gift — paired AKAI separates with entry-level Bowers & Wilkins speakers, a brand he stayed loyal to for years as his system grew from stereo into full surround and home cinema. Like many enthusiasts, he went through an extended "audiophile" phase chasing the next upgrade, before settling into a more grounded view: gear as a means to enjoy music and film, not an end in itself. Years of critical listening have given him a well-trained ear — the ability to characterize a system or pinpoint a change in the chain quickly and accurately. Just as important, his teaching background (a Belgian "regent" degree in Dutch language) gives him the tools to translate those listening impressions into clear, readable writing.

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