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Home News

Pro-Ject Pick it PRO and Pick it PRO Balanced: which MM cartridge?

Marco Lisi by Marco Lisi
November 12, 2026
in News, Analog sources
Reading Time: 2 mins read
Pro-Ject Pick it PRO MM cartridge on a turntable

A better cartridge is one of the most effective upgrades for a turntable. Pro-Ject offers two versions of its own MM cartridge: the Pro-Ject Pick it PRO and the Pick it PRO Balanced. Both were developed with Ortofon and are made in Europe. They share the same core specifications, but the Balanced version is designed for a True Balanced connection.

Neither cartridge is new: the Pick it PRO dates from 2021 and the Balanced version from 2023. But with more balanced phono stages on the market, the choice between them is more relevant than ever.

  • Pro-Ject Pick it PRO: an elliptical MM cartridge
  • Pick it PRO Balanced: built for True Balanced
  • Which one should you choose?
  • Pricing and availability
  • Key specifications

Pro-Ject Pick it PRO: an elliptical MM cartridge

The Pro-Ject Pick it PRO is a moving-magnet cartridge with an elliptical stylus (8/18 µm). It delivers 4 mV at 1 kHz, enough for any MM phono stage. Pro-Ject describes its sound as lively and robust, with a high dynamic range.

For the Pro-Ject Pick it PRO, the recommended tracking force is 2.0 g, within a range of 1.8 to 2.2 g. The cartridge weighs 7.2 g, which suits most tonearms.

Pro-Ject Pick it PRO moving magnet cartridge
The Pick it PRO was developed with Ortofon.

Pick it PRO Balanced: built for True Balanced

The Pick it PRO Balanced is a revised version of the Pick it PRO that allows True Balanced signal transmission. Pro-Ject says a balanced connection helps remove picked-up noise and interference.

It pairs with Pro-Ject’s True Balanced cables and phono stages such as the Phono Box S3 B and Phono Box DS3 B. The other specifications are the same as those of the standard Pick it PRO.

Pro-Ject Pick it PRO Balanced on a tonearm
The Balanced version is designed for a True Balanced connection.

Which one should you choose?

If your phono stage only has RCA inputs, the standard Pro-Ject Pick it PRO is the logical choice. If you have, or plan to buy, a balanced phono stage, the Pick it PRO Balanced gets more out of that connection. Comparing MM cartridges? Read our article on the Clearaudio N2 too.

Pro-Ject Pick it PRO cartridge close-up
Both cartridges share an elliptical stylus and 4 mV output.

Pricing and availability

Both cartridges are available through Pro-Ject dealers. Pro-Ject does not list prices on its product pages. More information is on the Pro-Ject website: Pick it PRO Balanced.

Key specifications

  • Type: MM (moving magnet)
  • Stylus: elliptical, 8/18 µm
  • Output: 4 mV (1 kHz)
  • Frequency response: 20 Hz – 20 kHz ±2 dB
  • Channel separation: 22 dB (1 kHz)
  • Tracking force: 1.8 – 2.2 g, recommended 2.0 g
  • Weight: 7.2 g
  • Load: 47 kΩ, 150 – 300 pF
  • Balanced version: True Balanced compatible
  • Made by: Pro-Ject with Ortofon, made in Europe

Is a balanced phono connection worth it in your system, or does the standard Pro-Ject Pick it PRO do the job?

Tags: CartridgesPro-JectPro-Ject Pick it PRO
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Marco Lisi

Marco Lisi

Publisher

Marco Lisi is the publisher of Best of High End, part of AV Concepts BV. His path into audio started early: as a teenager he was drawn into the world of free radio, presenting shows and living immersed in music every day. In his early twenties he ran his own production studio for five years, creating jingles and commercials — hands-on training in sound design, pro-audio workflows, and critical listening through studio monitors that still shapes how he evaluates gear today. He also spent years DJing in clubs before moving into publishing, first at two earlier online magazines before founding Best of High End. His hi-fi and home cinema passion was inherited from his father, an inveterate system-swapper. Marco's first setup — a confirmation gift — paired AKAI separates with entry-level Bowers & Wilkins speakers, a brand he stayed loyal to for years as his system grew from stereo into full surround and home cinema. Like many enthusiasts, he went through an extended "audiophile" phase chasing the next upgrade, before settling into a more grounded view: gear as a means to enjoy music and film, not an end in itself. Years of critical listening have given him a well-trained ear — the ability to characterize a system or pinpoint a change in the chain quickly and accurately. Just as important, his teaching background (a Belgian "regent" degree in Dutch language) gives him the tools to translate those listening impressions into clear, readable writing.

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