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Atoll Consolidates Its Flagship Duo Into the IN800 EVO

Dual-mono integrated amplifier merges the AM400 EVO monoblocks and PR400 EVO preamp in one chassis, priced from €12,000

Marco Lisi by Marco Lisi
August 10, 2026
in News, Amplifiers
Reading Time: 2 mins read
Atoll IN800 EVO integrated amplifier in silver finish, angled view

Atoll IN800 EVO integrated amplifier

Atoll Electronique has taken its two flagship separates and folded them into a single chassis with the Atoll IN800 EVO, the most ambitious integrated amplifier the Normandy manufacturer has built to date. Still designed and hand-built in Brécey, Atoll unveiled the Atoll IN800 EVO at the High End show in Vienna, combining what used to require a pair of AM400 EVO monoblocks and a PR400 EVO preamplifier into one box, without giving up the dual-mono architecture that made those separates work.

  • Two AM400 EVO Monoblocks in One Atoll IN800 EVO Chassis
  • MUSES Attenuators Replace the Volume Pot
  • Room for a DAC and Phono Stage
  • Pricing and availability
  • Key specifications

Two AM400 EVO Monoblocks in One Atoll IN800 EVO Chassis

Structurally, the Atoll IN800 EVO is a full dual-mono design: an oversized 1,200VA toroidal transformer, mechanically decoupled from the chassis, carries separate windings for the left and right channels, while three additional transformers independently feed the control logic, digital section and analog control circuitry so nothing bleeds into the audio path. Energy storage totals 128,000µF, backed by shielded MKP coupling capacitors. Output is rated at 2 x 350W into 8 ohms and 2 x 550W into 4 ohms.

Atoll IN800 EVO integrated amplifier in black finish
Atoll IN800 EVO in black finish

MUSES Attenuators Replace the Volume Pot

Rather than a conventional potentiometer, the Atoll IN800 EVO routes volume through relay-switched MUSES attenuators for channel-matched, click-stepped gain control, operated via two machined-aluminium dials on the fascia — one for volume, one for navigation — reading out on a 480 x 1,280-pixel colour display. The brushed and anodised 12mm aluminium front panel wraps around 16 matched MOSFET output devices per channel, built on Atoll’s usual symmetrical, low-feedback topology, with 5Hz-100kHz bandwidth, a 2µs rise time, 100dB signal-to-noise ratio and 0.05% distortion at 1kHz.

Atoll IN800 EVO rear panel showing dual-mono XLR and RCA connectivity
Atoll IN800 EVO rear connectivity panel

Room for a DAC and Phono Stage

Connectivity on the Atoll IN800 EVO is purely analog out of the box: two XLR inputs, three RCA line inputs and a Tape loop, with one RCA and one XLR input configurable as a home-cinema bypass, plus XLR and RCA preamp outputs for bi-amping or a subwoofer. Two option slots accept Atoll’s DA800 DAC card and P800 or P820 phono modules, so the amplifier can grow into a digital or analog front end later without a second chassis. Inputs are renameable and balance settings are memorised, with a sub-0.5W standby mode alongside a preheat mode that keeps the output stages warm.

Atoll IN800 EVO integrated amplifier in silver finish, front view
Atoll IN800 EVO in silver finish

Pricing and availability

The Atoll IN800 EVO is available to pre-order now in black or silver finishes, with deliveries expected by the end of 2026. Pricing starts at €12,000 excluding the optional DAC and phono cards, positioning it above the AM400 EVO and PR400 EVO combination it replaces as Atoll’s new flagship integrated amplifier.

Key specifications

  • Power output: 2 x 350W into 8Ω, 2 x 550W into 4Ω
  • Topology: Dual-mono, Class AB
  • Distortion: 0.05% at 1kHz
  • Bandwidth: 5Hz-100kHz, rise time 2µs
  • Power supply: 1,200VA toroidal transformer, 128,000µF
  • Inputs: 2x XLR, 3x RCA line, Tape loop
  • Options: DA800 DAC card, P800/P820 phono modules
  • Dimensions: 147 x 443 x 440mm
  • Weight: 27kg
  • Price: from €12,000
Tags: Atoll ElectroniqueAtoll IN800 EVO
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Marco Lisi

Marco Lisi

Publisher

Marco Lisi is the publisher of Best of High End, part of AV Concepts BV. His path into audio started early: as a teenager he was drawn into the world of free radio, presenting shows and living immersed in music every day. In his early twenties he ran his own production studio for five years, creating jingles and commercials — hands-on training in sound design, pro-audio workflows, and critical listening through studio monitors that still shapes how he evaluates gear today. He also spent years DJing in clubs before moving into publishing, first at two earlier online magazines before founding Best of High End. His hi-fi and home cinema passion was inherited from his father, an inveterate system-swapper. Marco's first setup — a confirmation gift — paired AKAI separates with entry-level Bowers & Wilkins speakers, a brand he stayed loyal to for years as his system grew from stereo into full surround and home cinema. Like many enthusiasts, he went through an extended "audiophile" phase chasing the next upgrade, before settling into a more grounded view: gear as a means to enjoy music and film, not an end in itself. Years of critical listening have given him a well-trained ear — the ability to characterize a system or pinpoint a change in the chain quickly and accurately. Just as important, his teaching background (a Belgian "regent" degree in Dutch language) gives him the tools to translate those listening impressions into clear, readable writing.

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