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Home News

Phasemation Replaces the PP-2000 With the PP-2200

The Japanese brand retires its decade-old PP-2000 reference cartridge in favor of a titanium-bodied successor with a reworked magnetic circuit

Marco Lisi by Marco Lisi
August 11, 2026
in News, Analog sources
Reading Time: 2 mins read
Phasemation PP-2200 MC phono pickup cartridge

The Phasemation PP-2200 MC phono cartridge

The Phasemation PP-2200 is the successor to the PP-2000, the Japanese brand’s reference moving-coil cartridge since 2015. Phasemation has retired the PP-2000 after more than a decade in production, saying parts processing and supply had become increasingly difficult to sustain even as vinyl culture keeps growing. Rather than simply continue an aging design, Phasemation used the transition to rework the parts of the cartridge that most directly shape sound quality.

The result, the company says, is a new reference-class MC cartridge built with the same commitment to body-case design and DLC coating that has defined Phasemation’s cartridge line, but pushed further on several fronts at once.

  • A reworked magnetic circuit
  • Titanium body, single-point housing
  • Easier mounting, Japanese presentation
  • Pricing and availability
  • Key specifications

A reworked magnetic circuit

The first area Phasemation addressed was the magnetic circuit itself. Engineers rebalanced it for more efficient power generation, which the brand says translates into greater resolution of fine musical detail and a more immersive soundstage compared with the outgoing PP-2000.

Titanium body, single-point housing

Body-case construction is a major factor in MC cartridge sound quality, and it’s where Phasemation made its biggest structural change. The housing was redesigned to consolidate contact points into a single location, with precision machining handled by Yuki Precision Co., known for its work on the high-end AP-01 turntable. The body material itself moves from duralumin to machined, DLC-coated titanium (Grade 64), which Phasemation says meaningfully reduces unwanted sound smearing versus the previous design.

Easier mounting, Japanese presentation

Phasemation also addressed a practical complaint from installers: mounting an MC cartridge without damaging delicate shell leads. The cartridge uses tapered terminals with a narrowed tip, making attachment smoother even with tighter shell leads. It ships in a new wooden presentation case reflecting the brand’s Japanese aesthetic, along with a newly included cleaning brush, and remains covered by Phasemation’s needle-exchange program.

Pricing and availability

The Phasemation PP-2200 is priced at approximately €5,500 through European distribution (Chameleon Audio), positioning it as a direct, premium-tier successor to the PP-2000 in Phasemation’s cartridge line-up. Availability will follow the brand’s usual distributor network as stock rolls out.

Key specifications

  • Power generation method: moving coil
  • Output voltage: 0.3mV (1kHz, 50mm/s horizontal)
  • Impedance: 3.8 ohm
  • Compliance: 8 μm/mN
  • Frequency range: 10Hz – 30kHz
  • Tracking force: 1.7 – 2.0g
  • Cantilever: solid boron, 0.26mm
  • Stylus tip: natural diamond, line contact
  • Magnet: samarium-cobalt
  • Body: machined, DLC-coated titanium (Grade 64)
  • Weight: 14.9g
  • Price: approximately €5,500

Only a single official product image of the Phasemation PP-2200 is currently available from the brand, so this article uses that image as the featured photo without additional body images. More photography is expected once Phasemation’s full press kit and European distributors publish further material.

The Phasemation PP-2200 follows the brand’s recent LT-1000 line transformer, continuing a busy year for the brand’s analog line-up. Full specifications and ordering details are available from Phasemation.

Tags: Phasemation LT-1000Phasemation PP-2200
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Marco Lisi

Marco Lisi

Publisher

Marco Lisi is the publisher of Best of High End, part of AV Concepts BV. His path into audio started early: as a teenager he was drawn into the world of free radio, presenting shows and living immersed in music every day. In his early twenties he ran his own production studio for five years, creating jingles and commercials — hands-on training in sound design, pro-audio workflows, and critical listening through studio monitors that still shapes how he evaluates gear today. He also spent years DJing in clubs before moving into publishing, first at two earlier online magazines before founding Best of High End. His hi-fi and home cinema passion was inherited from his father, an inveterate system-swapper. Marco's first setup — a confirmation gift — paired AKAI separates with entry-level Bowers & Wilkins speakers, a brand he stayed loyal to for years as his system grew from stereo into full surround and home cinema. Like many enthusiasts, he went through an extended "audiophile" phase chasing the next upgrade, before settling into a more grounded view: gear as a means to enjoy music and film, not an end in itself. Years of critical listening have given him a well-trained ear — the ability to characterize a system or pinpoint a change in the chain quickly and accurately. Just as important, his teaching background (a Belgian "regent" degree in Dutch language) gives him the tools to translate those listening impressions into clear, readable writing.

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