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Home News

We Are Rewind Curtis GB-001

The Neo-Retro Boombox Blasting Cassette Culture into 2025

Marco Lisi by Marco Lisi
July 13, 2026
in News, Analog sources
Reading Time: 3 mins read
We Are Rewind Curtis GB-001

In the midst of a cassette renaissance that’s seen sales surge over 400% in the past decade, We Are Rewind is cranking up the volume with the Curtis GB-001—a sleek, neo-retro boombox that fuses ’80s nostalgia with cutting-edge tech. Launched in May 2025, this powerhouse has quickly become the darling of vinyl-adjacent audiophiles and mixtape revivalists, earning rave reviews for its authentic tape playback, robust Bluetooth streaming, and room-filling sound. As we hit the holiday season, the GB-001 isn’t just a gadget; it’s a time machine that turns any living room into a block party from the Reagan era—minus the shoulder pads.

  • Goldens age of portable stereos
  • Top-tier cassette deck
  • 10 hours of battery life
  • Price and availability

Goldens age of portable stereos

Hailing from the innovative minds at Paris-based We Are Rewind, the Curtis GB-001 pays homage to the golden age of portable stereos while sidestepping their dated pitfalls. Measuring a portable 17 inches wide and weighing in at a manageable 10 pounds, its CNC-machined aluminum chassis gleams with a brushed finish, accented by glowing backlit VU meters that pulse like a heartbeat during playback. The design screams ’80s icon—think Run-D.M.C. meets modern minimalism—but beneath the surface lies a “2.0” upgrade: Bluetooth 5.4 for seamless wireless pairing, a swappable 3000mAh lithium-ion battery, and a premium cassette mechanism that handles both Type I and Type II tapes with surgical precision.

we-are-rewind-curtis-gb-001-2

Top-tier cassette deck

At the heart of the GB-001 is its top-tier cassette deck, engineered with a user-adjustable motor for rock-solid speed stability and internal regulation that rivals dedicated home decks. Record off the radio, your phone’s line-in, or even a live mic input with adjustable levels—perfect for capturing impromptu jam sessions or dubbing that forgotten demo tape. Playback controls are intuitive: dedicated buttons for play, stop, fast-forward, rewind, and record, all illuminated for late-night spins. But what truly elevates the experience is the audio prowess. Four Hi-Fi drivers—two powerful woofers for thunderous bass extension and two soft-dome tweeters for crystalline highs—deliver a staggering 104 watts of stereo power. That’s ten times the output of classic ’80s blasters, yet refined with dynamic power control to curb distortion, a “We Are Rewind” signature EQ for natural warmth, and a spatialization mode that widens the soundstage into an immersive panorama.

10 hours of battery life

Battery life keeps the party going: up to 10 hours of tape playback through the built-in speakers (or 15 hours via headphones), stretching to 15 hours in AUX mode and a marathon 28 hours wired. Fine-tune your vibe with onboard bass, treble, and balance knobs, or plug in a guitar for the built-in amp function—because why not shred like it’s 1985? Inputs abound: 3.5mm aux, mic jack, and even RCA for vinyl integration, making the GB-001 a versatile hub in any high-end setup.

we-are-rewind-curtis-gb-001-3

Price and availability

Priced at around $540 USD (or €449), the Curtis GB-001 democratizes high-fidelity nostalgia without breaking the bank. It’s not just surviving the streaming wars—it’s thriving, bridging generations with its blend of warmth, power, and portability. As We Are Rewind’s follow-up to the acclaimed WE-001 portable player, the GB-001 cements the brand’s role in the physical media revival, proving cassettes aren’t relics; they’re rocket fuel for creativity.

Tags: We Are Rewind
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Marco Lisi

Marco Lisi

Publisher

Marco Lisi is the publisher of Best of High End, part of AV Concepts BV. His path into audio started early: as a teenager he was drawn into the world of free radio, presenting shows and living immersed in music every day. In his early twenties he ran his own production studio for five years, creating jingles and commercials — hands-on training in sound design, pro-audio workflows, and critical listening through studio monitors that still shapes how he evaluates gear today. He also spent years DJing in clubs before moving into publishing, first at two earlier online magazines before founding Best of High End. His hi-fi and home cinema passion was inherited from his father, an inveterate system-swapper. Marco's first setup — a confirmation gift — paired AKAI separates with entry-level Bowers & Wilkins speakers, a brand he stayed loyal to for years as his system grew from stereo into full surround and home cinema. Like many enthusiasts, he went through an extended "audiophile" phase chasing the next upgrade, before settling into a more grounded view: gear as a means to enjoy music and film, not an end in itself. Years of critical listening have given him a well-trained ear — the ability to characterize a system or pinpoint a change in the chain quickly and accurately. Just as important, his teaching background (a Belgian "regent" degree in Dutch language) gives him the tools to translate those listening impressions into clear, readable writing.

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