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Home News

Traxx Orpheus Phono Preamplifier

Marco Lisi by Marco Lisi
July 13, 2026
in News
Reading Time: 3 mins read
traxx-orpheus-phono-preamplifier

Orpheus uses two tube gain stages with zero feedback and a passive LCR equalizer with 2 inputs on RCA and one on XLR connectors. All inputs are balanced differential unless the grounding option is engaged on the RCA inputs. As we switch the ground plane when switching inputs there are no hum loops or induced ground noise. 

The input stage is a super low noise D3a German Post tube used as a triode. Loaded by a constant current cascode it provides the necessary gain and output impedance to feed the custom passive LCR RIAA correction following it. 

All inputs are balanced differential unless the grounding option is engaged on the RCA inputs. As we switch the ground plane when switching inputs there are no hum loops or induced ground noise. 
The input stage is a super low noise D3a German Post tube used as a triode. Loaded by a constant current cascode it provides the necessary gain and output impedance to feed the custom passive LCR RIAA correction following it. 

All inputs are balanced differential unless the grounding option is engaged on the RCA inputs. As we switch the ground plane when switching inputs there are no hum loops or induced ground noise. 
The input stage is a super low noise D3a German Post tube used as a triode. Loaded by a constant current cascode it provides the necessary gain and output impedance to feed the custom passive LCR RIAA correction following it. 

The switchable input transformer interfaces to MC cartridges and has selectable gain and loading impedance. The equalization is passive and the next stage is another super low noise tube loaded by a transformer to bring the signal up to the necessary level and provide complete isolation of this sensitive circuit from the following components.

Eliminate switching noise and any other disturbance

The filter is out of any gain loops and sits between the two gain stages protected from any unpredictable influences. The equalization is realized through the use of constant impedance LCR filters using coils wound with OFC wire and silver capacitors. This way the input stage sees a constant load, making its behavior predictable at any signal level. The power supply of Orpheus uses a choke input full wave tube rectifier arrangement. This eliminates switching noise and any other disturbance that comes before the choke. The other benefit of this topology is that the choke keeps the voltage on the capacitor bank constant.

All this is governed by a microprocessor switching the appropriate combination of relays and monitoring the status and incoming command. 
The chassis is milled in house from solid plates of different thickness aluminium that are interlocked together to form a ring like structure. 

We have the power supply mounted on the left sidewall of this structure and the signal transformers on the right side. Two semi-flexible bars on which the motherboard and its heat sink are attached, which then support this ring.
The top and bottom plates link all sides of the ring with the flexible bars and the feet made from carbon doped plastic on flexible screws. There are no screws visible anywhere on the chassis. And the chassis feels like a solid block.

Tags: Preamplifierstraxx
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Marco Lisi

Marco Lisi

Publisher

Marco Lisi is the publisher of Best of High End, part of AV Concepts BV. His path into audio started early: as a teenager he was drawn into the world of free radio, presenting shows and living immersed in music every day. In his early twenties he ran his own production studio for five years, creating jingles and commercials — hands-on training in sound design, pro-audio workflows, and critical listening through studio monitors that still shapes how he evaluates gear today. He also spent years DJing in clubs before moving into publishing, first at two earlier online magazines before founding Best of High End. His hi-fi and home cinema passion was inherited from his father, an inveterate system-swapper. Marco's first setup — a confirmation gift — paired AKAI separates with entry-level Bowers & Wilkins speakers, a brand he stayed loyal to for years as his system grew from stereo into full surround and home cinema. Like many enthusiasts, he went through an extended "audiophile" phase chasing the next upgrade, before settling into a more grounded view: gear as a means to enjoy music and film, not an end in itself. Years of critical listening have given him a well-trained ear — the ability to characterize a system or pinpoint a change in the chain quickly and accurately. Just as important, his teaching background (a Belgian "regent" degree in Dutch language) gives him the tools to translate those listening impressions into clear, readable writing.

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