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Home News

Pure Fidelity Symphony Turntable Arrives in the UK via Audio Origami

Audio Origami becomes the exclusive UK home for Pure Fidelity's flagship deck, paired with its own PU7 and PU8 tonearms

Marco Lisi by Marco Lisi
July 28, 2026
in News, Analog sources
Reading Time: 3 mins read
Pure Fidelity Symphony turntable in Burled Walnut finish with Audio Origami tonearm

The Pure Fidelity Symphony turntable, fitted with an Audio Origami 12-inch tonearm

The Pure Fidelity Symphony turntable has found its home in the UK, and it hasn’t travelled far to get there. Audio Origami, the Glasgow-based tonearm specialist behind the PU7 and PU8, is now the exclusive UK source for the Canadian manufacturer’s flagship deck – and rather than simply distributing it, Audio Origami has built the Pure Fidelity Symphony package around its own arms, turning two independently respected products into a single, purpose-matched system.

  • The Pure Fidelity Symphony’s Hybrid Design Philosophy
  • Isolation, Bearing and Drive: Nothing Left to Chance
  • Purpose-Built for Audio Origami’s Own Tonearms
  • Pricing and availability
  • Key specifications

The Pure Fidelity Symphony’s Hybrid Design Philosophy

Pure Fidelity founder John Stratton built his reputation on what the brand calls a “hybrid” approach to plinth design: neither the heavy, inert mass that can make music feel sluggish, nor the light, lively chassis that can turn edgy under pressure. The Pure Fidelity Symphony sits above the Horizon and Harmony in the range and applies that philosophy at its most resolved, built around a dense, CNC-machined ultra-MDF core finished in a choice of three real wood veneers – Burled Walnut, Quilted Maple and Santos Rosewood. Every plinth is signed by Stratton personally before it leaves the workshop.

Pure Fidelity Symphony 48mm Delrin platter and burled walnut plinth
The Symphony’s Delrin platter resting on its burled walnut plinth

Isolation, Bearing and Drive: Nothing Left to Chance

Underneath the veneer, the Pure Fidelity Symphony leans hard on vibration control. A 6061 aerospace-grade aluminium isolation platform separates the plinth from the equipment shelf, itself decoupled by GAIA IV footers – a low-profile version of IsoAcoustics’ isolation feet developed jointly for Pure Fidelity’s flagship models. The platter is a solid piece of Delrin rather than glass or aluminium, chosen because it needs no mat to stay quiet, while rotation comes from a stainless steel pulley running dual round-section belts for even torque distribution.

At the centre of it all is a ruby ball bearing – second only to diamond in hardness – turning in a low-friction bronze shaft, a combination Pure Fidelity says outlasts and outperforms the steel-and-brass bearings found on most decks at this level. Speed is held by the quartz-locked Conductor controller supplied with every Pure Fidelity Symphony, offering separate 33⅓ and 45rpm pitch trims in 0.2% steps and isolating the motor’s drive voltage from the noise of household AC.

Ruby ball bearing used in the Pure Fidelity Symphony turntable bronze bearing housing
The precision ruby bearing at the heart of the Symphony’s bronze-shaft assembly

Purpose-Built for Audio Origami’s Own Tonearms

What separates the UK offering from Pure Fidelity Symphony packages sold elsewhere is the arm pairing. Audio Origami markets the deck as purpose-built for 12-inch Audio Origami tonearms specifically, with the PU7 Titanium and PU8 – both developed from the same gimbal lineage as the historic Syrinx PU2/PU3 – listed as its recommended partners rather than a third-party arm sourced separately. It’s a rare case of a turntable manufacturer and a tonearm manufacturer aligning their products so closely that the pairing is sold, priced and demonstrated as one system, at Audio Origami’s own listening room rather than through a general hi-fi dealer network.

Pure Fidelity Conductor quartz-locked speed controller supplied with the Symphony turntable
The Conductor speed controller supplied with every Pure Fidelity Symphony

For anyone curious about that tonearm pairing on its own terms, Audio Origami’s PU8 tonearm has already been covered in detail on this site – the Pure Fidelity Symphony is effectively where that design finds its intended analogue partner.

Pricing and availability

In the UK, the Pure Fidelity Symphony is sold exclusively through Audio Origami and only as a complete turntable-and-tonearm package: £16,795 fitted with the Audio Origami PU7 Titanium 12-inch arm, or £18,595 fitted with the PU8 12-inch. Both configurations are available now, viewable and demonstrable by appointment at Audio Origami’s listening room, alongside the brand’s Harmony model.

Key specifications

  • Plinth: dense ultra-MDF core, CNC-machined, in Burled Walnut, Quilted Maple or Santos Rosewood real wood veneer, hand-signed by founder John Stratton
  • Isolation: 6061 aerospace-grade aluminium platform decoupled by GAIA IV footers (co-developed with IsoAcoustics)
  • Platter: solid Delrin, no mat required
  • Bearing: ruby ball in a low-friction bronze shaft
  • Drive: stainless steel pulley, dual round-section belts
  • Speed control: Conductor quartz-locked controller, ±5% pitch range in 0.2% steps, isolated drive voltage
  • Tonearm fitment: 12-inch Audio Origami PU7 Titanium or PU8 (UK package)
  • Price: £16,795 (with PU7 Titanium) / £18,595 (with PU8)
  • Availability: now, exclusively through Audio Origami in the UK
Tags: Pure Fidelity Symphony
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Marco Lisi

Marco Lisi

Publisher

Marco Lisi is the publisher of Best of High End, part of AV Concepts BV. His path into audio started early: as a teenager he was drawn into the world of free radio, presenting shows and living immersed in music every day. In his early twenties he ran his own production studio for five years, creating jingles and commercials — hands-on training in sound design, pro-audio workflows, and critical listening through studio monitors that still shapes how he evaluates gear today. He also spent years DJing in clubs before moving into publishing, first at two earlier online magazines before founding Best of High End. His hi-fi and home cinema passion was inherited from his father, an inveterate system-swapper. Marco's first setup — a confirmation gift — paired AKAI separates with entry-level Bowers & Wilkins speakers, a brand he stayed loyal to for years as his system grew from stereo into full surround and home cinema. Like many enthusiasts, he went through an extended "audiophile" phase chasing the next upgrade, before settling into a more grounded view: gear as a means to enjoy music and film, not an end in itself. Years of critical listening have given him a well-trained ear — the ability to characterize a system or pinpoint a change in the chain quickly and accurately. Just as important, his teaching background (a Belgian "regent" degree in Dutch language) gives him the tools to translate those listening impressions into clear, readable writing.

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