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Lumene’s Coliseum UHD 4K Acoustic Lets Speakers Hide Behind the Picture

The motorized, tensioned screen uses transonore woven canvas so a center channel can sit directly behind the image

Marco Lisi by Marco Lisi
October 3, 2026
in News, Projection
Reading Time: 2 mins read
Lumene Coliseum UHD 4K Acoustic projection screen installed in a home theater

The Lumene Coliseum UHD 4K Acoustic in a dedicated home theater installation.

French screen maker Lumene has introduced the Lumene Coliseum UHD 4K Acoustic, a motorized, tab-tensioned projection screen built around an acoustically transparent canvas. The Lumene Coliseum UHD 4K Acoustic lets installers place a center-channel speaker directly behind the picture, recreating the dialogue-from-the-screen effect of a commercial cinema in a home theater.

  • Transonore canvas and tensioned fabric
  • Lumene Silent Motor and installation
  • Sizes and compatibility
  • Pricing and availability
  • Key specifications

Transonore canvas and tensioned fabric

The defining feature of the Lumene Coliseum UHD 4K Acoustic is its transonore fabric, which is acoustically porous enough to pass sound while still presenting a flat, UHD 4K-rated image surface. Lumene rates the material at 1.0 gain with a 160-degree viewing angle, and backs every panel with an opaque black layer so the screen can also be mounted in front of a window without light bleeding through. A tab-tensioning system keeps the Lumene Coliseum UHD 4K Acoustic’s canvas taut and wrinkle-free across its lifespan, while black borders on all four edges sharpen the perceived frame and boost contrast.

Lumene Coliseum UHD 4K Acoustic dimensions
The Coliseum UHD 4K Acoustic uses a transonore woven canvas that lets speakers sit directly behind the image.

Lumene Silent Motor and installation

Lumene built the Coliseum UHD 4K Acoustic around its Silent Motor platform, which the brand says runs twice as quietly as a standard screen motor thanks to a refined braking system that also extends service life. The aluminum housing can be ceiling- or wall-mounted using a safety clip system, and the screen ships with an infrared remote, a 12V trigger cable for syncing with a projector’s power-up sequence, and an RS232 port for integration with home automation systems.

Sizes and compatibility

The Lumene Coliseum UHD 4K Acoustic ships in four 16:9 diagonal sizes: 200C, 240C, 270C and 300C. The 240C variant measures 234 x 132cm of projection surface (106-inch diagonal) with black borders of 80mm on the sides, 60mm at the bottom and 400mm at the top for extra-drop installations with high ceilings. Lumene lists the Coliseum UHD 4K Acoustic as compatible with standard, long-throw and short-throw projectors, though not with ultra-short-throw models given the flat, tensioned surface.

Lumene Coliseum UHD 4K Acoustic installed in a home theater
The Lumene Coliseum UHD 4K Acoustic in a dedicated home theater installation.

The Lumene Coliseum UHD 4K Acoustic targets dedicated home-theater rooms where an acoustically transparent screen lets builders hide the center and front speakers in the wall, rather than placing them above or below the picture. For related reading, see our coverage of Epson’s 4K laser home cinema projectors.

Pricing and availability

The Lumene Coliseum UHD 4K Acoustic is available now from Lumene, starting at €2,290 for the 200C and rising to €3,649 for the 300C; the 240C reviewed here lists at €2,529.

Key specifications

  • Canvas: Lumene UHD 4K Acoustic transonore woven fabric, tensioned
  • Gain: 1.0
  • Viewing angle: 160 degrees
  • Sizes: 200C, 240C, 270C, 300C (16:9)
  • 240C projection surface: 234 x 132cm, 106-inch diagonal
  • Motor: Lumene Silent Motor, ceiling or wall mount
  • Connectivity: RS232, 12V trigger cable, IR remote included
  • Warranty: 2 years
  • Price: from €2,290 (200C) to €3,649 (300C)
Tags: Digital ProjectionLumeneLumene Coliseum UHD 4K Acoustic
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Marco Lisi

Marco Lisi

Publisher

Marco Lisi is the publisher of Best of High End, part of AV Concepts BV. His path into audio started early: as a teenager he was drawn into the world of free radio, presenting shows and living immersed in music every day. In his early twenties he ran his own production studio for five years, creating jingles and commercials — hands-on training in sound design, pro-audio workflows, and critical listening through studio monitors that still shapes how he evaluates gear today. He also spent years DJing in clubs before moving into publishing, first at two earlier online magazines before founding Best of High End. His hi-fi and home cinema passion was inherited from his father, an inveterate system-swapper. Marco's first setup — a confirmation gift — paired AKAI separates with entry-level Bowers & Wilkins speakers, a brand he stayed loyal to for years as his system grew from stereo into full surround and home cinema. Like many enthusiasts, he went through an extended "audiophile" phase chasing the next upgrade, before settling into a more grounded view: gear as a means to enjoy music and film, not an end in itself. Years of critical listening have given him a well-trained ear — the ability to characterize a system or pinpoint a change in the chain quickly and accurately. Just as important, his teaching background (a Belgian "regent" degree in Dutch language) gives him the tools to translate those listening impressions into clear, readable writing.

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