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Imersiv D-1 DAC Earns Praise From Europe’s Leading Audio Critics

Sound on Sound's Hugh Robjohns and independent reviewers Steve Huff and Michael Lavorgna all rank the multi-path HDR-A DAC among the quietest and most transparent they have tested

Marco Lisi by Marco Lisi
August 28, 2026
in News, Digital sources
Reading Time: 2 mins read
Imersiv D-1 DAC, the multi-path HDR-A digital-to-analog converter earning acclaim from top audio critics

The Imersiv D-1 DAC, built around the company’s multi-path HDR-A architecture

The Imersiv D-1 DAC has picked up glowing coverage from three of the audio press’s most closely watched reviewers in the space of a few months, each independently describing it as one of the quietest and most transparent digital-to-analog converters they have measured.

  • A Different Way to Convert Digital to Analog
  • The Imersiv D-1 DAC Impresses Sound on Sound’s Hugh Robjohns
  • Independent Reviewers Reach the Same Conclusion
  • Pricing and availability
  • Key specifications

A Different Way to Convert Digital to Analog

Unlike a conventional single-path DAC, the Imersiv D-1 DAC splits conversion across two discrete signal paths using the company’s patented HDR-A (High Dynamic Range Audio) architecture, then recombines them. Imersiv says the approach lets the D-1 reach a broadband self-noise floor of just 40 nanovolts, roughly 100 times quieter than many respected DAC designs, while still offering +22dBu of clean headroom.

Imersiv D-1 DAC front panel showing Input, Setup, Select, Filter and Mute controls
The D-1’s front panel: Input, Setup, Select, Filter and Mute, plus the main volume dial

The Imersiv D-1 DAC Impresses Sound on Sound’s Hugh Robjohns

Hugh Robjohns, technical editor at Sound on Sound and one of Europe’s most cited audio reviewers, spent months testing the Imersiv D-1 DAC in his professional studio before publishing a lengthy feature review. He called it a genuine step-change in DAC technology, pointing to noticeably improved room-acoustic depth and width and a marked reduction in distortion at mid- and low-level signals.

Independent Reviewers Reach the Same Conclusion

Two more reviewers who purchased their own review units, Steve Huff and Michael Lavorgna, arrived at similar conclusions after separate listening sessions with the Imersiv D-1 DAC. Huff described a new benchmark for analog performance and singled out how much more precise low-level detail became, while Lavorgna wrote about a natural, unforced presentation that let him hear individual instruments separated clearly in space.

Pricing and availability

The Imersiv D-1 DAC is available now in black and silver finishes through Millennia’s global network of professional and audiophile resellers, including nine newly added North American dealers and seven new international dealers. Pricing for the Imersiv D-1 DAC lands in the flagship bracket, in line with other reference-level multi-path and dual-mono designs; buyers should confirm current regional pricing with a local Millennia/Imersiv dealer.

Key specifications

  • Multi-path HDR-A (High Dynamic Range Audio) conversion architecture, patented
  • Broadband self-noise floor of approximately 40 nanovolts
  • +22dBu (10V) of ISO-free headroom without raising the noise floor
  • 28-bit / 168dB broadband unweighted linearity and dynamic range
  • Self-noise roughly 25dB below the measurement floor of the industry-standard Audio Precision APx555B analyzer
  • Available in black and silver finishes

Best of High End previously rounded up the field of reference DACs worth auditioning in its guide to the best streaming DACs; the Imersiv D-1 DAC’s reception from Sound on Sound and independent reviewers alike makes a strong case for adding it to that list. Full technical details are available on the official Imersiv product page.

Tags: DACsImersivImersiv D-1 DAC
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Marco Lisi

Marco Lisi

Publisher

Marco Lisi is the publisher of Best of High End, part of AV Concepts BV. His path into audio started early: as a teenager he was drawn into the world of free radio, presenting shows and living immersed in music every day. In his early twenties he ran his own production studio for five years, creating jingles and commercials — hands-on training in sound design, pro-audio workflows, and critical listening through studio monitors that still shapes how he evaluates gear today. He also spent years DJing in clubs before moving into publishing, first at two earlier online magazines before founding Best of High End. His hi-fi and home cinema passion was inherited from his father, an inveterate system-swapper. Marco's first setup — a confirmation gift — paired AKAI separates with entry-level Bowers & Wilkins speakers, a brand he stayed loyal to for years as his system grew from stereo into full surround and home cinema. Like many enthusiasts, he went through an extended "audiophile" phase chasing the next upgrade, before settling into a more grounded view: gear as a means to enjoy music and film, not an end in itself. Years of critical listening have given him a well-trained ear — the ability to characterize a system or pinpoint a change in the chain quickly and accurately. Just as important, his teaching background (a Belgian "regent" degree in Dutch language) gives him the tools to translate those listening impressions into clear, readable writing.

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