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Berliner Philharmoniker Brings Dolby Atmos to Every Live Stream

The Digital Concert Hall is the first classical streaming platform to offer regular live Immersive Audio broadcasts

Marco Lisi by Marco Lisi
October 22, 2026
in News, Streaming services
Reading Time: 3 mins read

Berliner Philharmoniker Dolby Atmos streaming has arrived: the orchestra has begun broadcasting every live concert from the Main Auditorium of the Philharmonie Berlin in Immersive Audio. Since the start of the 2026/27 season, the Digital Concert Hall has rendered direct sound, reflections, and reverberation in three dimensions, aiming to recreate a much stronger sense of the hall’s acoustic space for listeners tuning in remotely.

  • Berliner Philharmoniker Dolby Atmos: A First for Classical Streaming
  • Nine Seasons of Immersive Archive Content
  • Recreating the Philharmonie at Home
  • Part of a Wider Shift Toward Immersive Classical Streaming
  • Pricing and availability
  • Key specifications

Berliner Philharmoniker Dolby Atmos: A First for Classical Streaming

The Digital Concert Hall is the first classical-music streaming platform to offer regular live broadcasts in Dolby Atmos, making the Berliner Philharmoniker an early mover among orchestras bringing object-based, immersive formats to streamed performances. The first concert broadcast in the new format was the season-opening concert on 21 August 2026, conducted by chief conductor Kirill Petrenko, and every subsequent live concert from the Main Auditorium has followed the same Immersive Audio treatment.

A listener enjoying Berliner Philharmoniker Dolby Atmos streams on headphones at home
Dolby Atmos streams from the Digital Concert Hall are supported on headphones and multi-speaker home systems

Nine Seasons of Immersive Archive Content

Beyond live broadcasts, the Digital Concert Hall’s archive now includes concerts from the past nine seasons remastered in Immersive Audio, available to subscribers at no extra cost. “At the Digital Concert Hall, artistic excellence goes hand in hand with continuing technical innovation,” said Olaf Maninger, principal cellist and media board member of the Berliner Philharmoniker and managing director of Berlin Phil Media GmbH. “Being the first classical streaming provider in the world to offer regular live broadcasts in Immersive Audio reflects that commitment, and we are very proud of it.”

Illustration of a Dolby Atmos 5.1 home theater speaker setup for Berliner Philharmoniker Dolby Atmos streams
Dolby Atmos streams are supported on multi-speaker home cinema systems as well as headphones

Recreating the Philharmonie at Home

Maninger described the goal as giving listeners who cannot travel to Berlin something of the experience of sitting inside the Philharmonie itself. “For listeners who cannot travel to Berlin, the format recreates something of the experience of being in the Philharmonie,” he said. “Every week, they can hear our concerts in three-dimensional sound, almost as if they were sitting in the Main Auditorium.” Dolby Atmos is supported across a wide range of devices, from headphones to full multi-speaker home cinema systems, so the format works whether a listener is at a desk or in a dedicated home theater. Owners of a Dolby Atmos-enabled soundbar or AV receiver, such as the Klipsch FLEXUS CORE 300, can simply select the Digital Concert Hall’s live stream and hear the format reproduced through their existing home theater setup.

Digital Concert Hall stream connecting to headphones for Berliner Philharmoniker Dolby Atmos playback
Every live concert is now streamed in Dolby Atmos, playable on headphones or home speaker systems

Part of a Wider Shift Toward Immersive Classical Streaming

The move follows a broader trend of orchestras and concert venues experimenting with object-based audio formats to deepen the sense of presence for remote audiences, but the Berliner Philharmoniker Dolby Atmos rollout is the first to commit to the format as the default for every regular live broadcast rather than treating it as an occasional special event. Because the archive already spans nine seasons of remastered concerts, subscribers gain immediate access to a large immersive catalog rather than waiting for new content to accumulate, making the Digital Concert Hall’s rollout considerably more complete than a typical format launch. For an orchestra that has long positioned the Digital Concert Hall as a technical showcase as much as a streaming service, committing to Dolby Atmos across the entire live schedule signals how seriously classical institutions are now taking immersive audio as a mainstream listening format rather than a niche demonstration feature.

Pricing and availability

Dolby Atmos live streams and the Immersive Audio archive are included with a standard Digital Concert Hall subscription at no additional cost. Full details and compatible devices are listed on the Digital Concert Hall Immersive Audio page.

Key specifications

  • Format: Dolby Atmos (Immersive Audio)
  • Coverage: every live concert from the Philharmonie Berlin Main Auditorium
  • First broadcast: season-opening concert, 21 August 2026, conducted by Kirill Petrenko
  • Archive: nine seasons of past concerts remastered in Immersive Audio
  • Compatible devices: headphones to multi-speaker home cinema systems
  • Extra cost: none, included with a standard subscription
Tags: Berliner Philharmoniker Dolby AtmosDolby Atmos
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Marco Lisi

Marco Lisi

Publisher

Marco Lisi is the publisher of Best of High End, part of AV Concepts BV. His path into audio started early: as a teenager he was drawn into the world of free radio, presenting shows and living immersed in music every day. In his early twenties he ran his own production studio for five years, creating jingles and commercials — hands-on training in sound design, pro-audio workflows, and critical listening through studio monitors that still shapes how he evaluates gear today. He also spent years DJing in clubs before moving into publishing, first at two earlier online magazines before founding Best of High End. His hi-fi and home cinema passion was inherited from his father, an inveterate system-swapper. Marco's first setup — a confirmation gift — paired AKAI separates with entry-level Bowers & Wilkins speakers, a brand he stayed loyal to for years as his system grew from stereo into full surround and home cinema. Like many enthusiasts, he went through an extended "audiophile" phase chasing the next upgrade, before settling into a more grounded view: gear as a means to enjoy music and film, not an end in itself. Years of critical listening have given him a well-trained ear — the ability to characterize a system or pinpoint a change in the chain quickly and accurately. Just as important, his teaching background (a Belgian "regent" degree in Dutch language) gives him the tools to translate those listening impressions into clear, readable writing.

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