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Home News

Q Acoustics Concepts 300 loudspeaker

Marco Lisi by Marco Lisi
July 13, 2026
in News, Loudspeakers
Reading Time: 4 mins read

The brief for Concept 300 is simple, yet staggeringly ambitious. Build on the runaway success of the floorstanding Concept 500 and deliver a standmounting alternative that’s at once more affordable, of utterly uncompromised performance and of stylish, understated elegance. 

  • Design
  • Cabinet and Stand
  • Point 2 Point Bracing
  • Dual Gelcore
  • Tensegrity Stand & Isolation Base System

Design

On the outside, numerous lacquer coats produce a high-quality gloss finish which is combined with real-wood veneers. This results in a cabinet that manages to be clean and understated at the same time as being of obviously high perceived value. 

The uncluttered look of the cabinets is further enhanced by innovative drive unit mounting. Both the tweeter and mid/bass driver are fixed, from behind, by strong spring-tensioned retaining bolts which negate the need for any exposed bolt-heads on the speaker face.

At the rear of the speaker, Concept 300 features an over-specified terminal panel which is designed to resist vibrations from the cabinet. It’s equipped for bi-wiring (or bi-amping) via its electrically isolated terminals – these can accept bare wire, spade connectors or 4mm banana plugs. 

Cabinet and Stand

Ideally, the only vibrations a loudspeaker produces are the ones required to generate its sound. Of course, it’s not possible to entirely rid a loudspeaker cabinet of unwanted vibrations that can interfere with its performance – but, as Q Acoustics has demonstrated with Concept 300, it is possible to keep cabinet vibrations to an absolute minimum in order to deliver entirely uncorrupted sound.

Q Acoustics uses MDF rather than one of the more glamorous and/or expensive alternatives to construct the Concept 300 cabinet. There are a couple of reasons for this: a) alternative materials offer no benefits in terms of damping, or even ease and simplicity of construction, over the very high performance MDF delivers, and b) more expensive materials simply drive up the eventual price of the speaker for no audio gain whatsoever. 

Point 2 Point Bracing

The intelligence of the design of the Concept 300 cabinet is evident in its use of P2P (point to point) bracing. Q Acoustics is able to measure the performance of the cabinet structure at a microscopic level, and identifies the precise positions that require support.

So the P2P targeted cabinet-bracing method means the cabinet has exactly the support it needs, and no more. In this instance, a long and involved analysis of a problem results in a simple and brilliantly effective solution.

Dual Gelcore

Having dealt with lower-frequency vibrations using P2P bracing, Q Acoustics then negates higher-frequency cabinet vibrations using its bespoke Dual Gelcore technology.

The Concept 300 cabinet is comprised of three individual layers, each separated by a non-setting gel – the gel acts rather like a high-tech and extremely effective gasket. Any stray high-frequency vibrations are converted into heat which dissipates within the gel.

Tensegrity Stand & Isolation Base System

With a standmounting speaker design like this, of course, the speaker’s relationship with its stand is of fundamental importance. And it’s the design of the new Tensegrity stand, and the new isolation base suspension system that joins Concept 300 to it, that allows Q Acoustics to redefine the level of performance that’s possible from a smaller loudspeaker. 

Tensegrity is a tripod – by definition, an extremely stable structure. It’s built from lightweight aluminium tubes (which are the load-bearing element) and thin stainless steel cables (which maintain the position of the load-bearing tubes). The result is a light, exceptionally rigid and self-supporting structure with a remarkably low surface area and – let’s not pretend otherwise – beautifully elegant appearance. It’s not so much a speaker stand, it’s more an entirely new loudspeaker support concept.

But, of course, it’s of little consequence how efficient your speaker cabinet is, or how ingenious the design of the stand it works from, if the union between the two is unsympathetic or inefficient. Q Acoustics joins Concept 300 speaker to Tensegrity stand with the new isolation base suspension system, which is about as sympathetic and efficient as it gets.

The entire mass of Concept 300 is suspended on the four springs of the newly developed integrated base plate. This isolation base system works in multiple ways: it prevents energy from the speaker leaking into the Tensegrity stand and affecting the sound, it prevents vibrations for the floor making their way from the stands into the speaker, and in every circumstance it provides a rigid coupling between speaker and stand. 

Thanks to the combination of Tensegrity stand and isolation base suspension, the performance of Concept 300 is entirely unhindered by internal or external influences.

Tags: LoudspeakersQ Acoustics
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Marco Lisi

Marco Lisi

Publisher

Marco Lisi is the publisher of Best of High End, part of AV Concepts BV. His path into audio started early: as a teenager he was drawn into the world of free radio, presenting shows and living immersed in music every day. In his early twenties he ran his own production studio for five years, creating jingles and commercials — hands-on training in sound design, pro-audio workflows, and critical listening through studio monitors that still shapes how he evaluates gear today. He also spent years DJing in clubs before moving into publishing, first at two earlier online magazines before founding Best of High End. His hi-fi and home cinema passion was inherited from his father, an inveterate system-swapper. Marco's first setup — a confirmation gift — paired AKAI separates with entry-level Bowers & Wilkins speakers, a brand he stayed loyal to for years as his system grew from stereo into full surround and home cinema. Like many enthusiasts, he went through an extended "audiophile" phase chasing the next upgrade, before settling into a more grounded view: gear as a means to enjoy music and film, not an end in itself. Years of critical listening have given him a well-trained ear — the ability to characterize a system or pinpoint a change in the chain quickly and accurately. Just as important, his teaching background (a Belgian "regent" degree in Dutch language) gives him the tools to translate those listening impressions into clear, readable writing.

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