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IOTAVX Squeezes 200 Watts Into the Compact B:ound Power Amplifier

IOTAVX B:ound is a compact class-B stereo power amplifier rated at 200W into 4 ohms, with auto power-on and sub-0.5W standby

Marco Lisi by Marco Lisi
October 6, 2026
in News, Amplifiers
Reading Time: 2 mins read
IOTAVX B:ound compact stereo power amplifier, 3/4 angle view

IOTAVX B:ound packs 200W into a 164 x 75 x 238mm chassis.

IOTAVX B:ound squeezes a genuine class-B stereo power amplifier into one of the smallest chassis the brand has built, measuring just 164 x 75 x 238mm yet rated at 200W into 4 ohms per channel. IOTAVX pitches B:ound as proof that compact and high-end are not mutually exclusive, aimed at listeners who want serious power without a full-size amplifier taking over the rack — a different route to compactness than CANOR’s recently launched Crius H5S.

  • IOTAVX B:ound Fits 200 Watts Into a Shoebox-Sized Chassis
  • Automatic Power-On and a Sub-0.5W Standby Draw
  • Pricing and availability
  • Key specifications

IOTAVX B:ound Fits 200 Watts Into a Shoebox-Sized Chassis

Where many compact amplifiers trade away power or linearity to hit a small footprint, IOTAVX says IOTAVX B:ound’s class-B output stage holds distortion to 0.0002% at 100W into 8 ohms, with a bandwidth of 700kHz and a slew rate of 40V/µs. A fast switching power supply and an onboard microcontroller monitor the amplifier’s operating conditions continuously, letting IOTAVX keep the enclosure small without sacrificing the stability a linear design would normally need more chassis volume to guarantee.

IOTAVX B:ound stereo power amplifier rear panel with RCA inputs and binding posts
B:ound keeps connections simple: RCA inputs, binding post outputs, and a trigger input alongside the auto-on switch.

Automatic Power-On and a Sub-0.5W Standby Draw

IOTAVX B:ound switches itself on as soon as it senses an audio signal at its RCA inputs, with a 12V trigger input available as an alternative for systems that start everything together. Left idle, IOTAVX B:ound settles into a standby mode drawing less than 0.5W, and a flashing power LED warns of excess heat before an automatic thermal cutoff protects the circuit if the warning goes unheeded. IOTAVX positions B:ound equally as a standalone stereo amplifier and as a way to relieve an AV receiver’s internal amplification when driving a pair of front speakers.

IOTAVX B:ound internal circuit board and power supply components
Inside the compact chassis: a dedicated power supply board and class-B amplifier modules.

At 2.4kg and rated for both 115V and 230V operation, IOTAVX B:ound is built to travel between systems as easily as it sits permanently in one, with RCA-only inputs keeping the connection scheme as uncomplicated as the chassis itself. IOTAVX frames the amplifier’s size as a deliberate design constraint rather than a limitation, arguing that the compactness opens up living rooms, home offices, and studio spaces that would otherwise rule out a dedicated power amplifier.

Pricing and availability

IOTAVX B:ound is listed at €549 (down from a €699 launch price), available for pre-order now through IOTAVX’s official product page at German retailer HifiPilot, with delivery expected from 2 November 2026.

Key specifications

  • Type: stereo class-B power amplifier
  • Power output (RMS): 200W into 4 ohms, 100W into 8 ohms
  • Distortion (THD+N): ≤0.0002% (100W, 1kHz)
  • Frequency response: 10Hz – 40kHz (±1dB)
  • Bandwidth: 700kHz; slew rate: 40V/µs
  • Signal-to-noise ratio: 96dBA
  • Inputs: stereo RCA, plus 12V trigger input
  • Power supply: switching, 115V/230V AC auto-selectable
  • Standby consumption: under 0.5W; max. power consumption: 505W
  • Dimensions: 164 x 75 x 238mm (W x H x D, incl. terminals/feet); weight: 2.4kg
  • Warranty: 2 years
Tags: amplifiersIOTAVXIOTAVX B:ound
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Marco Lisi

Marco Lisi

Publisher

Marco Lisi is the publisher of Best of High End, part of AV Concepts BV. His path into audio started early: as a teenager he was drawn into the world of free radio, presenting shows and living immersed in music every day. In his early twenties he ran his own production studio for five years, creating jingles and commercials — hands-on training in sound design, pro-audio workflows, and critical listening through studio monitors that still shapes how he evaluates gear today. He also spent years DJing in clubs before moving into publishing, first at two earlier online magazines before founding Best of High End. His hi-fi and home cinema passion was inherited from his father, an inveterate system-swapper. Marco's first setup — a confirmation gift — paired AKAI separates with entry-level Bowers & Wilkins speakers, a brand he stayed loyal to for years as his system grew from stereo into full surround and home cinema. Like many enthusiasts, he went through an extended "audiophile" phase chasing the next upgrade, before settling into a more grounded view: gear as a means to enjoy music and film, not an end in itself. Years of critical listening have given him a well-trained ear — the ability to characterize a system or pinpoint a change in the chain quickly and accurately. Just as important, his teaching background (a Belgian "regent" degree in Dutch language) gives him the tools to translate those listening impressions into clear, readable writing.

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