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Fezz Lybra MK2: Four 300B Triodes in a Parallel Single-Ended Amplifier

Two 300B triodes per channel, automatic bias and seven colours

Marco Lisi by Marco Lisi
November 2, 2026
in News, Amplifiers
Reading Time: 2 mins read
Fezz Lybra MK2 300B tube amplifier in Evergreen

Polish manufacturer Fezz Audio has renewed its 300B stereo amplifier. The Fezz Lybra MK2 is a parallel single-ended design with two 300B triodes per channel, aimed at listeners who want the micro-detail of a classic single-ended amplifier with more power and headroom.

  • Two 300B triodes per channel
  • Automatic bias and delayed start-up
  • Seven colours
  • Pricing and availability
  • Key specifications

Two 300B triodes per channel

The Fezz Lybra MK2 is the evolution of the Lybra PSE (parallel single-ended) amplifier. By running two 300B tubes in parallel per channel, Fezz doubles the output compared with a classic 300B single-ended design: the Lybra MK2 delivers 2 × 15 watts. According to Fezz, the redesigned circuit offers a large, holographic soundstage with authority and grip, a rich and textured midrange, silky highs and a deep, controlled bass.

The tube line-up consists of four 300B power triodes and three 6SN7 driver tubes. The amplifier uses custom-built toroidal transformers.

Fezz Lybra MK2 in Burning Red with four 300B tubes
The Fezz Lybra MK2 uses four 300B triodes and three 6SN7 tubes.

Automatic bias and delayed start-up

To make tube ownership as easy as possible, the Fezz Lybra MK2 comes with automatic bias control and a delayed start-up system. That protects the tubes and makes the amplifier practically maintenance-free: there is no need to adjust the bias by hand when replacing tubes.

The amplifier has three RCA line inputs plus a direct input that bypasses the volume control, for use with an external preamplifier or AV processor. Two slots accept optional extension boards, and the output transformers have 4 and 8 ohm taps. A tube cage is available to protect the hot 300B tubes.

Fezz Lybra MK2 in Evergreen with tube cage
The Lybra MK2 can be fitted with a tube cage.

Seven colours

Like the rest of the Evolution series, the Fezz Lybra MK2 is available in a wide choice of finishes: Big Calm, Black Ice, Burning Red, EverGreen, Moonlight, Republika and Sunlight. The amplifier measures 420 × 380 × 226 mm and weighs 23.5 kg.

Rear panel of the Fezz Lybra MK2 with inputs and speaker terminals
On the rear: three RCA inputs, a direct input and 4 and 8 ohm speaker taps.

Fezz also builds dual mono designs in the same series. Read our news on the Fezz Olympia Evo series.

Pricing and availability

Fezz Audio has not published a price for the Lybra MK2 on its website; pricing and availability depend on the local distributor. More information is available on the official Fezz Audio website.

Key specifications

  • Type: stereo tube amplifier, parallel single-ended (PSE)
  • Output power: 2 × 15 W
  • Tubes: 4 × 300B, 3 × 6SN7, automatic bias
  • Inputs: 3 × RCA, 1 × direct
  • Speaker taps: 4 and 8 ohms
  • Bandwidth: 6 Hz to 34 kHz; THD below 3% at full power
  • Power consumption: 225 W
  • Dimensions and weight: 420 × 380 × 226 mm, 23.5 kg
Tags: amplifiersFezzFezz Lybra MK2Tube amplifiers
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Marco Lisi

Marco Lisi

Publisher

Marco Lisi is the publisher of Best of High End, part of AV Concepts BV. His path into audio started early: as a teenager he was drawn into the world of free radio, presenting shows and living immersed in music every day. In his early twenties he ran his own production studio for five years, creating jingles and commercials — hands-on training in sound design, pro-audio workflows, and critical listening through studio monitors that still shapes how he evaluates gear today. He also spent years DJing in clubs before moving into publishing, first at two earlier online magazines before founding Best of High End. His hi-fi and home cinema passion was inherited from his father, an inveterate system-swapper. Marco's first setup — a confirmation gift — paired AKAI separates with entry-level Bowers & Wilkins speakers, a brand he stayed loyal to for years as his system grew from stereo into full surround and home cinema. Like many enthusiasts, he went through an extended "audiophile" phase chasing the next upgrade, before settling into a more grounded view: gear as a means to enjoy music and film, not an end in itself. Years of critical listening have given him a well-trained ear — the ability to characterize a system or pinpoint a change in the chain quickly and accurately. Just as important, his teaching background (a Belgian "regent" degree in Dutch language) gives him the tools to translate those listening impressions into clear, readable writing.

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