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Home Factory visits

Bowers & Wilkins Worthing Factory: Back on Its Own Course

Marco Lisi by Marco Lisi
October 10, 2026
in Factory visits
Reading Time: 3 mins read
Bowers & Wilkins 800 Series D5 tweeter close-up

There is a particular mood in a factory that believes in what it makes. During our recent visit to the Bowers & Wilkins Worthing factory, on England’s south coast, that mood was impossible to miss. The message we heard, from the shop floor to the engineers, was a simple one: we’re back, and stronger than ever.

  • Bowers & Wilkins Worthing Factory: A Company Back on Its Own Course
  • It starts with wood
  • Machine precision, human hands
  • The finish
  • Drivers, crossovers and proof
  • D4 versus D5, side by side
  • Our take

Bowers & Wilkins Worthing Factory: A Company Back on Its Own Course

Since becoming part of Harman, and with it Samsung, Bowers & Wilkins says it can once again follow its own, familiar course: making loudspeakers that sound right. You notice it the moment you walk in. The factory has grown, it is busy, it is immaculately kept, and it is backed by a large R&D centre. This is not a brand treading water.

It is also where the new 800 Series D5 is built, and where we got to hear exactly what the new generation brings.

It starts with wood

Every 800 Series cabinet begins as stacks of real wood veneer and precision-cut birch plywood. The plywood pieces become the internal bracing. The veneer is pressed under heat around an aluminium former in a hot press, and comes out as the curved cabinet wall that gives the 800 Series its unmistakable silhouette.

Stack of wood veneer sheets at the Bowers & Wilkins factory
Real wood veneer, waiting to become an 800 Series cabinet.
Stacks of precision-cut birch plywood braces
Precision-cut birch plywood for the internal bracing.
Hot press with aluminium forming tool for curved cabinets
The hot press that bends the cabinet into its curved shape.

Machine precision, human hands

Once formed, the cabinets move through robotic sanding cells. The robots handle the repeatable work, but people still do the finishing by hand. A checklist tucked inside each cabinet tracks four separate sanding stages before it is signed off for spraying. Look inside before the drivers go in and you see the Matrix bracing: a grid of aluminium and plywood that keeps the enclosure rigid and quiet.

Robot arm sanding a loudspeaker cabinet
A robotic sanding cell at work.
Craftsman hand-sanding a walnut loudspeaker cabinet
The finishing touch is still done by hand.
Matrix bracing inside an 800 Series cabinet with sanding checklist
Matrix bracing, with the four-stage sanding checklist.

The finish

Next comes the paint shop. We saw 801 D5 cabinets in primer, lined up and ready for spraying, while tweeter housings were sprayed by hand to a deep piano gloss.

801 D5 cabinets in primer ready for spraying
801 D5 cabinets in primer, ready for the spray booth.
Tweeter housings being sprayed in the paint booth
Tweeter housings being sprayed to a piano gloss finish.

In another corner of the factory: the moulds for the Nautilus, the spiral-shaped loudspeaker that has embodied Bowers & Wilkins’ engineering ambition since 1993. Seeing them up close is a reminder of where the 800 Series’ technology comes from.

Moulds for the Bowers & Wilkins Nautilus loudspeaker
The moulds for the iconic Nautilus.

Drivers, crossovers and proof

The drive units are just as carefully handled, from the midrange driver with its distinctive central bullet to the bass units. The crossovers are built on generous boards populated with Mundorf MCap Supreme capacitors. Then comes the proof: drive units are measured on a Klippel test station that gives a clear pass or fail verdict, and the factory has its own anechoic chamber.

800 Series midrange driver with central bullet
The 800 Series midrange driver.
Crossover boards with Mundorf MCap Supreme capacitors
Crossover boards with Mundorf MCap Supreme capacitors.
Klippel test station showing a pass result
Measured, then approved: the Klippel test station.
Anechoic measurement chamber at Bowers & Wilkins
The anechoic chamber.

D4 versus D5, side by side

The most revealing part of the day came at the end, in the listening room. For each model, Bowers & Wilkins set up the D4 and the D5 version next to each other, so we could switch between generations and hear the progress for ourselves.

Our verdict: the improvements are subtle, but clearly audible, with every model in the range we were able to hear. There is nothing earth-shattering here. As you would expect at this level, it is all in the details. The D5 is a refinement of an already outstanding loudspeaker, not a reinvention.

Bowers & Wilkins Worthing factory D4 versus D5 listening room comparison
D4 versus D5: the listening room in Worthing.

Our take

Our visit to the Bowers & Wilkins Worthing factory left us with the impression of a company that is confident again, and has the investment, the people and the facilities to back it up. The 800 Series D5 shows what that looks like in practice: no big headlines, just steady, audible progress. If you own an 800 Series D4 or are considering one, our advice is simple: listen to both generations side by side at your dealer, and let your ears decide. For more on how the D5 sounds in a proper listening room, see our 800 Series Diamond D5 listening sessions and interview with Andy Kerr.

More images from inside the factory follow on our socials in the coming weeks.

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Marco Lisi

Marco Lisi

Publisher

Marco Lisi is the publisher of Best of High End, part of AV Concepts BV. His path into audio started early: as a teenager he was drawn into the world of free radio, presenting shows and living immersed in music every day. In his early twenties he ran his own production studio for five years, creating jingles and commercials — hands-on training in sound design, pro-audio workflows, and critical listening through studio monitors that still shapes how he evaluates gear today. He also spent years DJing in clubs before moving into publishing, first at two earlier online magazines before founding Best of High End. His hi-fi and home cinema passion was inherited from his father, an inveterate system-swapper. Marco's first setup — a confirmation gift — paired AKAI separates with entry-level Bowers & Wilkins speakers, a brand he stayed loyal to for years as his system grew from stereo into full surround and home cinema. Like many enthusiasts, he went through an extended "audiophile" phase chasing the next upgrade, before settling into a more grounded view: gear as a means to enjoy music and film, not an end in itself. Years of critical listening have given him a well-trained ear — the ability to characterize a system or pinpoint a change in the chain quickly and accurately. Just as important, his teaching background (a Belgian "regent" degree in Dutch language) gives him the tools to translate those listening impressions into clear, readable writing.

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