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Home News

Majority of Netflix subscribers to be outside US by 2018

Marco Lisi by Marco Lisi
July 13, 2026
in News
Reading Time: 2 mins read

By 2018, the number of international Netflix subscribers will overtake the number of US domestic subscribers. That’s a prediction according to new analysis released by IHS Markit.

“At the moment, Netflix has 79.9 million total paying subscribers,” said Irina Kornilova, senior analyst at IHS Technology. “By 2018, international subscribers will over-take the number of subscribers in the US for the first time, and by 2020, Netflix will have 75 million international subscribers.”

The total number of Netflix subscribers grew 30 percent between 2014 and 2015? The forecast also predicts a growth of 21 percent in 2016 as territorial expansion reaches its peak. By 2018, Netflix will break the 100 million-subscriber mark. The number of Netflix International paying subscribers will grow 38 percent in 2016. This means that more than 2.8 million of these new paying subscribers are coming from the new markets that Netflix launched at the beginning of this year. By 2020, Netflix global revenues are expected to reach $13 billion. with 53 percent accounted for by Netflix International markets. Domestic streaming revenues are expected to hit $6.2 billion by 2020, and international revenues to reach $7 billion.

majority-of-netflix-subscribers-to-be-outside-us-by-2018-2

Top subscribers

At the end of 2016, unsurprisingly, Western Europe, with strong UK (over 6 million subscribers by the end of 2016), Netherlands and Nordic (5.4 million subscribers combined) markets, will be the leading region for Netflix outside the domestic US subscriber base, the report said. Germany, despite strong competition from Amazon Prime and free TV, is expected to reach 2.2 million paying subscribers by the end of 2020.

Netflix plans for localized success

The ‘soon to be localized’ markets of Poland and Turkey will drive further uptake in the Central Europe region, but the effect of the localization will not be felt immediately.

“With the worldwide launch, Netflix has launched a platform upon which it can build and differentiate the service to fit specifics of every region in the future,” Kornilova said. “Netflix is starting this localization process in Poland and Turkey this year. Subscribers in these countries can expect an addition of local languages to the user interface, subtitles and dubbing of content. This will help drive new subscriber numbers dramatically.”

Netflix will continue with localization and development of new territories through 2017 and 2018. As a result the new territories are forecast to grow their paying membership base by 133 percent and 62 percent in 2017 and 2018, respectively. By 2020, subscribers in countries rolled out in 2016 will represent a quarter of all international subscribers, reaching 19 million.

majority-of-netflix-subscribers-to-be-outside-us-by-2018-3

Visit the Netflix website.

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Marco Lisi

Marco Lisi

Publisher

Marco Lisi is the publisher of Best of High End, part of AV Concepts BV. His path into audio started early: as a teenager he was drawn into the world of free radio, presenting shows and living immersed in music every day. In his early twenties he ran his own production studio for five years, creating jingles and commercials — hands-on training in sound design, pro-audio workflows, and critical listening through studio monitors that still shapes how he evaluates gear today. He also spent years DJing in clubs before moving into publishing, first at two earlier online magazines before founding Best of High End. His hi-fi and home cinema passion was inherited from his father, an inveterate system-swapper. Marco's first setup — a confirmation gift — paired AKAI separates with entry-level Bowers & Wilkins speakers, a brand he stayed loyal to for years as his system grew from stereo into full surround and home cinema. Like many enthusiasts, he went through an extended "audiophile" phase chasing the next upgrade, before settling into a more grounded view: gear as a means to enjoy music and film, not an end in itself. Years of critical listening have given him a well-trained ear — the ability to characterize a system or pinpoint a change in the chain quickly and accurately. Just as important, his teaching background (a Belgian "regent" degree in Dutch language) gives him the tools to translate those listening impressions into clear, readable writing.

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