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Home News

Cessaro Beethoven II Horn Loudspeakers

Marco Lisi by Marco Lisi
July 13, 2026
in News, Loudspeakers
Reading Time: 2 mins read
cesaro-beethoven-2-horn-loudspeakers

The Beethoven II designed by Cessaro improves their Beta II in every area and can only be compared with their Gamma II model. The difference is, that the Beethoven II has a built-in frontloaded horn instead of an external backloaded horn concept. As of now it‘s also available with their new Cessaro composite horns. The Beethoven II is a design-sculpture with high-tech technology inside to experience music how it‘s meant to be.

cesaro-beethoven-2-horn-loudspeakers-2

5-way horn loudspeaker system

  • 1) Bass: Four 16″ bass TAD Alnico drive units in total for driving the frontloaded bass horn. The entire bass section is driven by four special solidstate power amps with huge 1200 W transformers each.
  • 2) Low-Mid: spherical composite horn with a bespoke papercone driver and Alnico magnets.
  • 3) Midrange: spherical composite horn with a 2″ TAD TD-4001 compression driver and beryllium diaphragm.
  • 4) Treble: Spherical composite horn with a 1″ TAD TD-2001 or TD-2002 compression driver and beryllium diaphragm.
  • 5) Super-Treble: Cessaro milled brass horn and modified TAD ET-703 compression driver with cobalt magnet and beryllium diaphragm
cesaro-beethoven-2-horn-loudspeakers-3

Driver

TAD drivers with their beryllium diaphragm offer the benefit to react twice as fast as other diaphragm materials. Also it is light and stable like no other material. Because of the rapidity acoustical details can be reproduced, that couldn’t be heard otherwise. Speakers with beryllium diaphragm also react significantly more impulsive.


Tags: Loudspeakers
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Marco Lisi

Marco Lisi

Publisher

Marco Lisi is the publisher of Best of High End, part of AV Concepts BV. His path into audio started early: as a teenager he was drawn into the world of free radio, presenting shows and living immersed in music every day. In his early twenties he ran his own production studio for five years, creating jingles and commercials — hands-on training in sound design, pro-audio workflows, and critical listening through studio monitors that still shapes how he evaluates gear today. He also spent years DJing in clubs before moving into publishing, first at two earlier online magazines before founding Best of High End. His hi-fi and home cinema passion was inherited from his father, an inveterate system-swapper. Marco's first setup — a confirmation gift — paired AKAI separates with entry-level Bowers & Wilkins speakers, a brand he stayed loyal to for years as his system grew from stereo into full surround and home cinema. Like many enthusiasts, he went through an extended "audiophile" phase chasing the next upgrade, before settling into a more grounded view: gear as a means to enjoy music and film, not an end in itself. Years of critical listening have given him a well-trained ear — the ability to characterize a system or pinpoint a change in the chain quickly and accurately. Just as important, his teaching background (a Belgian "regent" degree in Dutch language) gives him the tools to translate those listening impressions into clear, readable writing.

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