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Virtual HiFi Challenges Six-Figure Rivals With the Supernova Open-Baffle Loudspeaker

A Polish boutique brand built by Cube Audio's co-founder enters the statement league with a 56kg, three-way open-baffle design priced at 20,000 euros a pair

Marco Lisi by Marco Lisi
October 5, 2026
in News, Loudspeakers
Reading Time: 3 mins read
Virtual HiFi Supernova open-baffle loudspeaker in a dimly lit listening room

Polish manufacturer Virtual HiFi has launched the Virtual HiFi Supernova, a three-way, fully passive open-baffle loudspeaker designed by Grzegorz Rulka, the engineer behind Cube Audio and Qualio Audio. Built to order in Poland and priced at €20,000 per pair, the Virtual HiFi Supernova is pitched directly at buyers currently choosing between cost-no-object European and American statement speakers.

  • The Virtual HiFi Supernova’s open-baffle approach to scale
  • Steel instead of wood
  • Independent validation
  • Pricing and availability
  • Key specifications

The Virtual HiFi Supernova’s open-baffle approach to scale

The Virtual HiFi Supernova pairs two 15-inch SB Audience Nero neodymium woofers per side with a 7.5-inch SB Acoustics Satori TeXtreme midrange, mounted on an in-house, 3D-printed waveguide. Top-end duties go to a large Mundorf AMT tweeter that Rulka says is not a standard catalogue part — Mundorf does not normally sell it separately, and Virtual HiFi has it supplied to special order. The three drivers hand over through a crossover built from Jantzen, Mundorf, Duelund and Clarity Cap parts, chosen position by position on a listening rig rather than sourced from a single brand’s catalogue.

Being a dipole, open-baffle design, the Virtual HiFi Supernova has no sealed cabinet to store and release energy late, which Rulka argues removes a layer of coloration that conventional enclosures can never fully eliminate. Rated frequency response is approximately 25Hz-22kHz, with 90dB sensitivity and a 4-ohm nominal impedance, so the Virtual HiFi Supernova is happy with either a strong solid-state amplifier or a push-pull tube design running KT88, KT120 or KT150 output tubes.

Virtual HiFi Supernova open-baffle loudspeakers in a studio setting
The Virtual HiFi Supernova in Virtual HiFi’s own listening studio

Steel instead of wood

Rather than the usual MDF cabinet, the baffle structure uses constrained-layer damping: 3mm high-strength steel, a 2mm elastomer interlayer, and a second 3mm steel plate, bonded rather than bolted together. Virtual HiFi says this sandwich is stiffer and better damped than a 28mm MDF panel of similar thickness, which is also why each loudspeaker weighs 56kg. Despite the mass, every pair ships with silicone wheels for positioning and swappable Vibron isolation footers for the final listening position, plus a dedicated steel transport cart for moving them from pallet to listening room.

Rear panel of the Virtual HiFi Supernova showing the dual 15-inch woofers and Mundorf AMT tweeter
No cabinet to hide behind: the Virtual HiFi Supernova’s open rear structure

Independent validation

Ahead of the commercial launch, reviewer Srajan Ebaen of 6moons followed the Virtual HiFi Supernova from prototype to finished product and lived with a pair at home, closing his review with a single word: “Heroic.” Virtual HiFi is using that endorsement, alongside a 30-day home trial with free return shipping in both directions, to lower the barrier for buyers weighing the Virtual HiFi Supernova against established six-figure alternatives.

Virtual HiFi Supernova loudspeakers on their dedicated steel transport cart
Each 56kg Virtual HiFi Supernova ships on its own steel transport cart

Pricing and availability

The Virtual HiFi Supernova is priced at €20,000 per pair including VAT, with worldwide delivery included in that price. Each pair is built to order against the buyer’s room and system, with a typical lead time of four to six weeks. Ten standard RAL finishes are offered for the baffle at no extra cost, with custom colors and special car-paint finishes available on request. As a launch allocation, Virtual HiFi is offering the first five pairs sold at a 20 percent discount.

Key specifications

  • Configuration: three-way, fully passive open-baffle loudspeaker
  • Frequency response: approximately 25Hz-22kHz
  • Sensitivity: approximately 90dB / 2.83V / 1m
  • Impedance: 4 ohms nominal, 2.9 ohms minimum
  • Woofers: 2x 15-inch SB Audience Nero neodymium per side
  • Midrange: TeXtreme cone on an in-house 3D-printed waveguide
  • Tweeter: large Mundorf AMT, supplied to special order
  • Dimensions: 42 x 21 x 129cm (W x D x H) per speaker
  • Weight: 56kg each
  • Price: €20,000 per pair, built to order, worldwide delivery included

Buyers weighing a dipole statement speaker against a sealed flagship design may also want to compare the Lorenzo Audio Grande, another recently launched flagship loudspeaker in a similar ambition bracket. Full specifications and ordering details for the Virtual HiFi Supernova are available on the official Virtual HiFi product page.

Tags: LoudspeakersVirtual HiFiVirtual HiFi Supernova
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Marco Lisi

Marco Lisi

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Marco Lisi is the publisher of Best of High End, part of AV Concepts BV. His path into audio started early: as a teenager he was drawn into the world of free radio, presenting shows and living immersed in music every day. In his early twenties he ran his own production studio for five years, creating jingles and commercials — hands-on training in sound design, pro-audio workflows, and critical listening through studio monitors that still shapes how he evaluates gear today. He also spent years DJing in clubs before moving into publishing, first at two earlier online magazines before founding Best of High End. His hi-fi and home cinema passion was inherited from his father, an inveterate system-swapper. Marco's first setup — a confirmation gift — paired AKAI separates with entry-level Bowers & Wilkins speakers, a brand he stayed loyal to for years as his system grew from stereo into full surround and home cinema. Like many enthusiasts, he went through an extended "audiophile" phase chasing the next upgrade, before settling into a more grounded view: gear as a means to enjoy music and film, not an end in itself. Years of critical listening have given him a well-trained ear — the ability to characterize a system or pinpoint a change in the chain quickly and accurately. Just as important, his teaching background (a Belgian "regent" degree in Dutch language) gives him the tools to translate those listening impressions into clear, readable writing.

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