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Hisense C3 Projector Family Brings Triple Laser to Every Room

C3 Pro, C3 Ultra and C3 Ultra Max arrive with Devialet-tuned audio and up to 300-inch projection

Marco Lisi by Marco Lisi
October 26, 2026
in News, Projection
Reading Time: 3 mins read
Hisense C3 Projector Family: C3 Pro, C3 Ultra and C3 Ultra Max triple-laser projectors

The new Hisense C3 family: C3 Pro, C3 Ultra and C3 Ultra Max triple-laser projectors

Hisense has introduced the Hisense C3 Projector Family, a trio of triple-laser home projectors first shown at IFA 2026. The Hisense C3 Projector Family comprises the C3 Pro, C3 Ultra and C3 Ultra Max, with the C3 Ultra and C3 Ultra Max launching across global markets this September and the C3 Pro to follow.

All three models in the Hisense C3 Projector Family share a 0.47-inch DLP chip and an RGB triple laser light source, along with a 5,000:1 native contrast ratio and a seven-level mechanical iris for deeper shadow detail. Projection size scales from 65 to 300 inches, turning a living room, bedroom or media space into a flexible big-screen setup. Full technical details for the range are listed on Hisense Canada’s official C3 Ultra Max product page.

Hisense C3 Projector Family: C3 Pro, C3 Ultra and C3 Ultra Max shown together
The full Hisense C3 Projector Family: C3 Pro, C3 Ultra and C3 Ultra Max
  • What sets each Hisense C3 Projector Family model apart
  • Smart platform and gaming
  • Design and placement
  • Pricing and availability
  • Key specifications

What sets each Hisense C3 Projector Family model apart

Brightness is the main differentiator across the Hisense C3 Projector Family. The C3 Ultra Max tops the range at 5,000 ANSI lumens with 1ms ultra-low latency for gaming, the C3 Ultra follows at 4,000 ANSI lumens, and the C3 Pro delivers 3,000 ANSI lumens. The Pro and Ultra share a 1.6x optical zoom, while the Ultra Max steps up to 2x zoom with a wider lens-shift range, adjustable up to ±120% vertically and ±47% horizontally.

Hisense C3 Projector Family: the C3 Pro in the foreground next to the larger C3 Ultra Max
The Hisense C3 Pro in the foreground, next to the larger C3 Ultra Max

Audio across the Hisense C3 Projector Family is co-engineered with Devialet, with the C3 Ultra Max and C3 Pro both featuring a built-in subwoofer for deeper bass without an external soundbar. Hisense has also put the C3 through Life Cycle Assessment (LCA) and product carbon footprint (PCF) verification by SGS, covering the environmental footprint of the new range.

Smart platform and gaming

Every model in the Hisense C3 Projector Family runs Hisense’s VIDAA OS, giving access to Netflix, Disney+, Prime Video and other major streaming apps without an external media player. The C3 Ultra Max adds Game Mode Pro, pairing a 2K 240Hz refresh rate with VRR and AMD FreeSync Premium for responsive console and PC gaming on the big screen, and supports Xbox cloud gaming directly through VIDAA OS without a separate console. Intelligent Eye Protection dims the image automatically when it detects someone standing close to the lens, while Intelligent Wall Colour Adaption adjusts the picture for up to seven non-white wall shades, so the projector still looks accurate without a dedicated screen.

Hisense C3 Projector Family: the C3 Ultra Max in the foreground next to the smaller C3 Ultra
The Hisense C3 Ultra Max in the foreground, next to the C3 Ultra

Design and placement

The C3 Ultra Max adds a gimbal-style mount offering 360-degree horizontal and 260-degree vertical adjustment, letting the projector aim at a wall or ceiling from almost any position in a room. Combined with auto keystone correction, auto screen-fit and auto focus, the Hisense C3 Projector Family is designed to be moved and repositioned without a lengthy setup each time. It follows a similar philosophy to Hisense’s own PX4 Pro ultra-short-throw projector, which pushed the brand’s laser projection into 200-inch territory.

Pricing and availability

The Hisense C3 Projector Family launched globally from September 2026, with the C3 Ultra and C3 Ultra Max available first and the C3 Pro following. In the US, industry pricing has been reported at $2,499.99 for the C3 Pro, $2,999.99 for the C3 Ultra and $3,999.99 for the C3 Ultra Max; Canadian pricing and retail availability for the Hisense C3 Projector Family will be confirmed through Hisense Canada’s retail partners.

Key specifications

  • Light source: RGB triple laser (TriChroma), 0.47-inch DLP chip
  • Brightness: C3 Pro 3,000 ANSI lumens · C3 Ultra 4,000 ANSI lumens · C3 Ultra Max 5,000 ANSI lumens
  • Contrast: 5,000:1 native, with 7-level IRIS on all models
  • Projection size: 65″–300″
  • Zoom: 1.6x optical (Pro, Ultra) · 2x optical (Ultra Max)
  • Lens shift (Ultra Max): ±120% vertical, ±47% horizontal
  • Audio: Devialet-tuned, built-in subwoofer on C3 Pro and C3 Ultra Max
  • Gimbal mount: 360° horizontal / 260° vertical (C3 Ultra Max)
  • Smart platform: VIDAA OS, with Xbox cloud gaming support
  • Sustainability: LCA and PCF verification by SGS
  • Availability: C3 Ultra and C3 Ultra Max from September 2026; C3 Pro to follow
Tags: HisenseHisense C3
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Marco Lisi

Marco Lisi

Publisher

Marco Lisi is the publisher of Best of High End, part of AV Concepts BV. His path into audio started early: as a teenager he was drawn into the world of free radio, presenting shows and living immersed in music every day. In his early twenties he ran his own production studio for five years, creating jingles and commercials — hands-on training in sound design, pro-audio workflows, and critical listening through studio monitors that still shapes how he evaluates gear today. He also spent years DJing in clubs before moving into publishing, first at two earlier online magazines before founding Best of High End. His hi-fi and home cinema passion was inherited from his father, an inveterate system-swapper. Marco's first setup — a confirmation gift — paired AKAI separates with entry-level Bowers & Wilkins speakers, a brand he stayed loyal to for years as his system grew from stereo into full surround and home cinema. Like many enthusiasts, he went through an extended "audiophile" phase chasing the next upgrade, before settling into a more grounded view: gear as a means to enjoy music and film, not an end in itself. Years of critical listening have given him a well-trained ear — the ability to characterize a system or pinpoint a change in the chain quickly and accurately. Just as important, his teaching background (a Belgian "regent" degree in Dutch language) gives him the tools to translate those listening impressions into clear, readable writing.

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