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Home High End Munich 2025

High End Munich 2025 facts and figures

A Grand Farewell with Record-Breaking Success

Marco Lisi by Marco Lisi
July 13, 2026
in High End Munich 2025, News, Events
Reading Time: 3 mins read
high-end-munich-facts-and-figures

The High End Munich 2025, held from May 15–18 at the MOC Event Center Messe München, concluded on a high note, marking the end of an era under the theme “Passion for Music.” With a record-breaking turnout of 22,818 visitors from 92 countries, 501 exhibitors from 42 countries, and a vibrant atmosphere, the world’s leading audio show solidified its position as the ultimate rendezvous for audiophiles, industry professionals, and music enthusiasts. As the event bids farewell to Munich before its relocation to Vienna in 2026, here’s a detailed wrap-up of its final facts and figures.

  • A Global Celebration of Audio Excellence
  • Innovation and Interaction at the Core
  • Anette Askvik: The Voice of High End 2025
  • Expert Insights on the X-PERT Stage
  • Exhibitor Feedback: A Resounding Success
  • Looking Ahead: High End Vienna 2026
  • Why High End Munich 2025 Mattered

A Global Celebration of Audio Excellence

High End Munich 2025 showcased 30,000 square meters of sold-out exhibition space, filled with cutting-edge innovations, world premieres, and high-end audio equipment. The event welcomed 10,562 trade visitors during its two B2B days and 11,675 consumers over the public weekend, with Saturday alone drawing over 8,000 attendees. Visitors hailed from major markets like the United Kingdom, neighboring European countries, the United States, and China, with 583 accredited media representatives amplifying the event’s global reach.

high-end-munich-facts-and-figures

The High End is a high-caliber combination of a trade show and hands-on event, a powerful manifestation of the diverse and forward-looking ways in which audio technology can be experienced, said Stefan Dreischärf, Managing Director of HIGH END SOCIETY Service GmbH.

Innovation and Interaction at the Core

The show was a melting pot of tradition and innovation, featuring exclusive brands, niche manufacturers, and newcomers showcasing visionary technologies. Attendees experienced high-quality audio equipment, from state-of-the-art sound systems to stunning headphone displays. The WORLD OF HEADPHONES expanded this year, offering over 70 brandsof headphones, portable audio players, and accessories. Visitors tested products at listening tables, immersing themselves in unparalleled sound quality.

high-end-munich-facts-and-figures-2

The GAMING ZONE, in partnership with konsolenfan.de, highlighted the role of premium audio in gaming, with headsets, loudspeakers, and sound bars enhancing the experience. Meanwhile, the IPS (International Parts + Supply) section catered to trade professionals, showcasing high-quality components for audio production.

Anette Askvik: The Voice of High End 2025

A standout highlight was Norwegian singer-songwriter Anette Askvik, the event’s brand ambassador. Her exclusive performances, featuring two immersive-audio tracks from her album Liberty, captivated audiences in collaboration with KiiAudio. Askvik’s natural charm and bonus performances, including interviews and record signings, added an emotional depth to the event, with an exclusive EP HIGH END edition delighting fans.

high-end-munich-facts-and-figures-3

Expert Insights on the X-PERT Stage

The X-PERT Stage hosted six engaging sessions, featuring expert talks and panel discussions on topics like technological advancements, sustainability, and audiophile standards. These events provided valuable insights for trade journalists, industry insiders, and enthusiasts, reinforcing High End’s role as a thought leader in the audio industry.

Exhibitor Feedback: A Resounding Success

Exhibitors praised the event’s organization and visitor quality. Marcin Sobczyk of Blade Brothers called it “pure love,” while Anders Ertzeid of Hegel Music System described it as a “super show.” William Tremblett of Zavfino1877Phono hailed it as the “most professional and well laid out hi-fi show in the world.”

high-end-munich-facts-and-figures-4

Looking Ahead: High End Vienna 2026

After two decades in Munich, High End 2025 marked a bittersweet farewell. The show will relocate to the Austria Center Vienna for High End 2026, scheduled for May 28–31, 2026. “The move to Vienna will usher in new opportunities to further boost the level of the trade show,” said Dreischärf. The futuristic venue promises to elevate the event’s global appeal and innovation.

high-end-munich-facts-and-figures-5

Why High End Munich 2025 Mattered

High End Munich 2025 was more than a trade show—it was a celebration of music, technology, and community. With record attendance, global exhibitors, and unforgettable moments like Anette Askvik’s performances, the event underscored the enduring passion for high-end audio. As the industry looks to Vienna, the legacy of Munich will continue to resonate.

Tags: HIGH END Munich 2025
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Marco Lisi

Marco Lisi

Publisher

Marco Lisi is the publisher of Best of High End, part of AV Concepts BV. His path into audio started early: as a teenager he was drawn into the world of free radio, presenting shows and living immersed in music every day. In his early twenties he ran his own production studio for five years, creating jingles and commercials — hands-on training in sound design, pro-audio workflows, and critical listening through studio monitors that still shapes how he evaluates gear today. He also spent years DJing in clubs before moving into publishing, first at two earlier online magazines before founding Best of High End. His hi-fi and home cinema passion was inherited from his father, an inveterate system-swapper. Marco's first setup — a confirmation gift — paired AKAI separates with entry-level Bowers & Wilkins speakers, a brand he stayed loyal to for years as his system grew from stereo into full surround and home cinema. Like many enthusiasts, he went through an extended "audiophile" phase chasing the next upgrade, before settling into a more grounded view: gear as a means to enjoy music and film, not an end in itself. Years of critical listening have given him a well-trained ear — the ability to characterize a system or pinpoint a change in the chain quickly and accurately. Just as important, his teaching background (a Belgian "regent" degree in Dutch language) gives him the tools to translate those listening impressions into clear, readable writing.

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