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Home News

Métronome DSC

Marco Lisi by Marco Lisi
July 13, 2026
in News
Reading Time: 2 mins read
metronome-dsc

So, French company Métronome starts a new era with their DSC. But what is a DSC? Is that a million dollar question? Not quite. Actually the DSC is the company’s first ‘three-in-one’ device: a top notch converter, streamer and digital pre-amplifier.

Follow the stream?

The Métronome DSC integrates the online services of Tidal, Qobuz, Spotify and Deezer (you have to subscribe of course). It can also manage all the music stored on your local network following UPnP and DLNA protocols. DSC decodes DSD files natively up to DSD512. It can handle all PCM files up to 32-bit/384kHz and also supports the MQA codec. No salt or peper chips in the chassis, but the very capable ES9038PRO conversion microprocessor. The complete DSC chassis is machined from high grade billets of aluminum and is available in black and silver finishes. The unit will retail at €24.990.

metronome-dsc-front

Let’s get technical

  • Streaming services: Tidal, Qobuz, Spotify, Deezer, vTuner, Roon Ready
  • Network protocols: DLNA, UPnP
  • Digital pre-amplifier: Leedh Processing
  • Resolution: 32 bits / 384 kHz, DSD 512,
  • D/A conversion: ES9038PRO
  • Digital inputs: USB, Optical, SPDIF, AES EBU
  • Analog outputs: Unbalanced @0dB 100 Ohms, RCA connectorsBalanced @0dB 2 kOhms, XLR connectors
  • Power supply: 3 toroidal transformers with Schaffner filters, 14 independent regulation lines Voltages: 100 – 120/240 V – 50/60 Hz
  • Accessories: Métronome remote
  • Other characteristics: Consumption: 25 VA
  • Dimensions (LxHxP): 430 x 105 x 430 mm Weight: 17 Kg
  • Finishes : Black or Silver
metronome-dsc-side

Find out more about the Métronome DSC.
Visit the Métronome website.

Tags: DACsMétronomePreamplifiersStreaming audio
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Marco Lisi

Marco Lisi

Publisher

Marco Lisi is the publisher of Best of High End, part of AV Concepts BV. His path into audio started early: as a teenager he was drawn into the world of free radio, presenting shows and living immersed in music every day. In his early twenties he ran his own production studio for five years, creating jingles and commercials — hands-on training in sound design, pro-audio workflows, and critical listening through studio monitors that still shapes how he evaluates gear today. He also spent years DJing in clubs before moving into publishing, first at two earlier online magazines before founding Best of High End. His hi-fi and home cinema passion was inherited from his father, an inveterate system-swapper. Marco's first setup — a confirmation gift — paired AKAI separates with entry-level Bowers & Wilkins speakers, a brand he stayed loyal to for years as his system grew from stereo into full surround and home cinema. Like many enthusiasts, he went through an extended "audiophile" phase chasing the next upgrade, before settling into a more grounded view: gear as a means to enjoy music and film, not an end in itself. Years of critical listening have given him a well-trained ear — the ability to characterize a system or pinpoint a change in the chain quickly and accurately. Just as important, his teaching background (a Belgian "regent" degree in Dutch language) gives him the tools to translate those listening impressions into clear, readable writing.

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