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Home High End Munich 2025

Aequo Audio Debuts Nanotech Loudspeakers at High End Munich 2025

Editorial Staff by Editorial Staff
May 7, 2025
Reading Time: 3 mins read
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aequo-audio-debuts-nanotech-loudspeakers-at-high-end-munich-2025

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Dutch high-end audio innovator Aequo Audio is set to make waves at High End Munich 2025with the debut of two groundbreaking loudspeakers, the Adamantis and Ensium. Showcased in Atrium 4.2, Room F.204 from May 15–18, these models introduce a revolutionary enclosure technology using a proprietary nanotechnology material called Diluvite. This world-first achievement minimizes cabinet resonances across an unprecedented frequency range of 1 Hz to 100,000 Hz, redefining acoustic engineering standards.

Revolutionary Diluvite Nanotechnology

Aequo Audio’s Diluvite, a nanotech-based acoustic supermaterial, converts vibrations into heat, creating an acoustically invisible cabinet. This eliminates unwanted resonances, delivering pure, uncolored sound. The material’s castability enables complex, acoustically optimized 3D shapes, adhering to Aequo’s “form follows function” philosophy. Each speaker, weighing over 100 kg (220 lbs), offers a surprisingly large internal volume despite a compact footprint, enhancing bass performance and soundstage.

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Adamantis and Ensium: Redefining High-End Audio

The Adamantis is a passive three-way loudspeaker designed for audiophiles seeking deep bass and transparent sound. It features a 10-inch aluminum-cone woofer, a 5-inch Nomex-coated mid-bass driver, and Aequo’s EHDL™ tweeter system for holographic imaging. Priced at approximately $37,900, it promises performance that surpasses its price point.

The Ensium, priced at $44,900, is a 500W bass-assisted three-way speaker with an analog room and placement correction system (ARPEC). This eliminates the need for DSP, ensuring zero latency and natural sound. Live demonstrations of the Ensium will be held in Room F.204, paired with a premium system valued at $330,320, including components like the Taiko Audio Extreme Server ($30,000), Playback Designs MPD-8 DAC ($26,000), and Westminster Lab Rei Mono Blocks ($32,900).

System Setup at High End Munich 2025

Component Price (USD)
Taiko Audio Extreme Server 30,000
Playback Designs MPT-8 Transporter 20,000
Playback Designs MPD-8 DAC 26,000
VPI Avenger Direct 40,000
DS Audio Master 3 Cartridge 9,500
Westminster Lab Quest Pre-amp 22,900
Westminster Lab Rei Mono Blocks 32,900
Aequo Audio Ensium Loudspeakers 44,900
Aequo Audio Ferroguard Power Cables (4m) 4,120
AudioQuest Cabling (Estimate) 100,000
Total System Value 330,320

A Vision of Sonic Purity

Ivo Sparidaens, Aequo’s founder and chief technologist, emphasizes uncompromising design: “We begin with a perfect, time-aligned acoustic shape and refine from there without compromise.” The result is ultra-low baffle diffraction, exceptional linearity, and a holographic soundstage that extends beyond the room’s walls. Both models deliver effortless dynamics and natural sincerity, setting new benchmarks for high-end audio.

Experience Aequo Audio at High End Munich

Visitors to High End Munich 2025 can experience the Ensium’s live demonstrations in Atrium 4.2, Room F.204. The setup showcases Aequo’s commitment to sonic excellence, paired with top-tier components. With only a limited number of attendees able to visit due to the show’s exclusivity, early planning is recommended. For those unable to attend, Aequo’s auditorium in Eindhoven offers private demonstrations by appointment.

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Aequo Audio’s Legacy of Innovation

Founded in 2012 in Eindhoven, Netherlands, Aequo Audio has rapidly gained recognition for models like the Ensis and Stilla. The introduction of Diluvite and the Adamantis and Ensium loudspeakers solidifies Aequo’s position as a leader in high-end audio innovation. Posts on X highlight the growing excitement for Aequo’s Munich debut, with audiophiles eager to experience the Ensium’s cutting-edge technology.

Tags: Aequo AudioHIGH END Munich 2025Loudspeakers
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Editorial Staff

Editorial Staff

An exceptional collection of pencils, pens and keyboards, all equally possessed by audio and video. In some dark den, hidden from all women, our editorial staff write and type about their infinite love of the audiovisual. Please, have some compassion!

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