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Home News

PMC Fenestria at High End 2018

Marco Lisi by Marco Lisi
July 13, 2026
in News, Loudspeakers
Reading Time: 2 mins read
pmc-fenestria-at-high-end-2018

PMC calls it ‘the speaker you’ll never hear’. They might be right because at first I thought I was listening to a fully active system. The PMC Fenestra turned out to be a passive loudspeaker. Imagine my surprise. It has the dynamics, the clarity, imaging and deep clean bass of an active design. And it looks kind of sexy. Speaking of elegant. Elegant design and advanced engineering come together to produce the ultimate musical listening experience. The top-of-the-range fact model combines new materials, innovative aerodynamic engineering, groundbreaking vibration-cancelling design, cutting-edge cabinets and drivers, PMC’s patented Advanced Transmission Line (ATL™) bass-loading technology and state-of-the-art looks to create a loudspeaker which adds no sound of its own to the music it reproduces.

pmc-fenestria-at-high-end-2018-2

No added flavors or colouring

Other loudspeakers produce unwanted vibrations in the drivers and cabinet that colour the sound. Just as a shaky camera cannot produce a clearly focused image, these unwanted vibrations reduce the clarity and precision of the sonic imaging. With fenestria, such unwanted resonances and unnatural colouration are engineered out of the design, leaving nothing but music.

Suspended in space

The nest’s minimal, sculpted form is decoupled from the cabinet, connecting with it minimally via four isolation mounts. This excludes vibrations that might colour the treble and mid-range, while the baffle-less design excludes reflections that degrade the imaging in traditional cabinet loudspeakers, creating the sonic impression that the drivers are suspended freely in space.

pmc-fenestria-at-high-end-2018-3

Vibration Ccncellation

All loudspeaker cabinets, irrespective of their structure and weight, radiate energy at their resonant frequency. Extensive vibration studies carried out during Fenestria’s development phase gave the PMC design team the precise data they needed to tackle this issue in the evolving loudspeaker. Adding a large weight (a so-called tuned mass damper) to the top of skyscrapers prevents the formation of destructive seismic vibrations during earthquakes. As the building oscillates, the mass moves in opposition, cancelling out the unwanted resonances. Using the same principles, the planar wings of Fenestria’s cabinet have been precisely engineered to resonate in opposition to rest of the loudspeaker assembly, so that unwanted vibrations are eliminated before they ever leave the cabinet.

pmc-fenestria-at-high-end-2018-4

Visit the PMC website.

Tags: High End®LoudspeakersPMC
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Marco Lisi

Marco Lisi

Publisher

Marco Lisi is the publisher of Best of High End, part of AV Concepts BV. His path into audio started early: as a teenager he was drawn into the world of free radio, presenting shows and living immersed in music every day. In his early twenties he ran his own production studio for five years, creating jingles and commercials — hands-on training in sound design, pro-audio workflows, and critical listening through studio monitors that still shapes how he evaluates gear today. He also spent years DJing in clubs before moving into publishing, first at two earlier online magazines before founding Best of High End. His hi-fi and home cinema passion was inherited from his father, an inveterate system-swapper. Marco's first setup — a confirmation gift — paired AKAI separates with entry-level Bowers & Wilkins speakers, a brand he stayed loyal to for years as his system grew from stereo into full surround and home cinema. Like many enthusiasts, he went through an extended "audiophile" phase chasing the next upgrade, before settling into a more grounded view: gear as a means to enjoy music and film, not an end in itself. Years of critical listening have given him a well-trained ear — the ability to characterize a system or pinpoint a change in the chain quickly and accurately. Just as important, his teaching background (a Belgian "regent" degree in Dutch language) gives him the tools to translate those listening impressions into clear, readable writing.

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