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Home Tech talk

Hans-Ole Vitus explains how he replaced battery supplies in previous generations components

Marco Lisi by Marco Lisi
July 28, 2026
in Tech talk
Reading Time: 4 mins read

Vitus Audio truly is a great name in the industry. Best of high end got the chance to interview the leading man and visionair Hans-Ole Vitus. In this sixth part we asked him: ‘Why were you using battery supplies in previous generations components? How did you replace that technology’.

It’s the same obsession with isolating noise from the signal that also shapes the technology behind the Masterpiece Series — a philosophy his son Alexander Vitus Mogensen has carried into his own brand, Alluxity, as he explains here.

  • Why Vitus Audio once ran on batteries
  • The engineering challenge of battery power
  • An EU law pushed the switch to a new power supply design

Why Vitus Audio once ran on batteries

Hans-Ole Vitus: “Well, the obvious reason to use batteries is not having any noise from the mains. So in a normal house you have other white goods: refrigerators, dishwashers, whatever … and they all are noisy. They all pollute the mains signal; the 230 Volts / 50Hz or 115 Volts / 60Hz. Regardless of which of the two, wherever you are in the world. The lower the main voltage, the worse the current peaks you actually get. So in other parts of the world, it’s even a bigger issue. Using batteries just eliminates that completely. The idea was that when you are using our gear, listening to music, you actually turn the products off. So, they would be completely isolated from the mains, only running on the batteries. The kind of noise that you would get from the white goods would be eliminated completely. This has a huge influence on the soundstage. The noise floor drops and you can hear more.”

The engineering challenge of battery power

“It took me a long time to develop, to figure out how much power, how many batteries I would need. A drawback from the batteries is that the sound very often becomes a little bit slow and un-dynamic, because there’s a limit to how fast you can draw current from a battery. So, which battery type to use? How many to use? How big should the capacitor bank be after the batteries? You don’t want that slow kind of sound. The trickiest thing of batteries is their lifecycle. If you charge them wrong, you really shorten their durability by a great deal. So I’ve spent a lot of time figuring out the measuring for the batteries. It’s not like many people think; you don’t just measure the voltage. No, you don’t just measure the voltage because with some batteries the voltage is always the same. What changes is the internal resistance. If you measure a battery like that in a wrong way, it will always show 9 Volts. It will always be 9 Volts, but when you start to draw current from it, you get more internal resistance, so you can draw less current from it. Each different type of battery … because it’s chemistry … has its own way of working. The whole measuring circuitry and the charging circuitry … all of that stuff needs to be … you know … developed for each type of battery. We had to choose which kind of battery was the best and in a way that the user didn’t have to worry too much. A lot of timers were needed. You could play for 48 hours or run the products for 48 hours before the battery reached its limit. Who listens to music for 48 hours continuously? Nobody does that. So you could set your timer for … well I normally listen for 2 hours. After those 2 hours, the battery would automatically start charging. I got to the point that I’ve had developed some products; a phono stage and a line stage. Roy Gregory from HiFi+ awarded them. They sounded great.”

An EU law pushed the switch to a new power supply design

“But why did I stop? Well, because of Brussels … since we are so close. A few years ago politicians started working on proposal for lead-free batteries. We were using lead-acid batteries at that time. If this law would pass, that would be an issue for us. I realized that if this law would pass, I wouldn’t be able to ship products of that kind no more. What to do now? I’ve spent a long time developing a normal power supply that was actually better than the batteries. That took me 3 years or so. When all of that research and development was done and I was happy, it turned out that the lead-acid batteries weren’t included in the law. That was the point of no return. There was no way I was going back to batteries.”

hans-ole-vitus-12

Visit the Vitus Audio website.

Frequently asked questions

Why did Vitus Audio originally use battery power supplies?

To eliminate mains noise from household appliances, which lowered the noise floor and improved the soundstage.

What are the drawbacks of battery-powered audio equipment?

Limited current draw can make the sound slow and undynamic, and charging batteries incorrectly shortens their lifespan significantly.

Why did Hans-Ole Vitus move away from batteries?

A proposed EU law on lead-free batteries threatened his lead-acid design, so he spent three years developing an alternative power supply that outperformed batteries — even though the law ultimately excluded lead-acid batteries after all.

Tags: Vitus Audio
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Marco Lisi

Marco Lisi

Publisher

Marco Lisi is the publisher of Best of High End, part of AV Concepts BV. His path into audio started early: as a teenager he was drawn into the world of free radio, presenting shows and living immersed in music every day. In his early twenties he ran his own production studio for five years, creating jingles and commercials — hands-on training in sound design, pro-audio workflows, and critical listening through studio monitors that still shapes how he evaluates gear today. He also spent years DJing in clubs before moving into publishing, first at two earlier online magazines before founding Best of High End. His hi-fi and home cinema passion was inherited from his father, an inveterate system-swapper. Marco's first setup — a confirmation gift — paired AKAI separates with entry-level Bowers & Wilkins speakers, a brand he stayed loyal to for years as his system grew from stereo into full surround and home cinema. Like many enthusiasts, he went through an extended "audiophile" phase chasing the next upgrade, before settling into a more grounded view: gear as a means to enjoy music and film, not an end in itself. Years of critical listening have given him a well-trained ear — the ability to characterize a system or pinpoint a change in the chain quickly and accurately. Just as important, his teaching background (a Belgian "regent" degree in Dutch language) gives him the tools to translate those listening impressions into clear, readable writing.

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