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Home Tech talk

Hans-Ole Vitus talks about the differences between the Reference, Signature and Masterpiece Series

Marco Lisi by Marco Lisi
July 28, 2026
in Tech talk
Reading Time: 3 mins read

Vitus Audio truly is a great name in the industry. Best of high end got the chance to interview the leading man and visionair Hans-Ole Vitus. In this fourth part we asked him: ‘What are the differences (sound / technology) between the Reference, Signature and Masterpiece Series?’.

Those three series all start from the same idea-to-product process, before diverging most sharply in the technology behind the Masterpiece Series.

  • Why the entry-level series is called Reference
  • Signature Series: fully balanced, Class A, modular
  • Masterpiece Series: four years of refinement

Why the entry-level series is called Reference

Hans-Ole Vitus: “The traditional part was that the Reference Series was our … that’s our entry level actually. A lot of people are asking me why is that called the Reference Series, because everybody else is calling their top of the line their Reference Series. That’s kind of … to give you an idea as well … because this is … the slogan we had in the beginning was we start where others stop. Where everybody meets the limit of what they can do, that’s where we start and move on from there. So that’s why our entry level is called Reference Series. Traditionally that was the series that was not truly balanced from input to output. Now, that’s changing. These products are becoming balanced as well.”

Signature Series: fully balanced, Class A, modular

“The Signature Series is where we started initially. We never thought that we would have a product series above that. I thought it would be the Signature Series and Reference Series and maybe something below that. But then Russia happened and Asia happened and they wanted something on top of that. The simple way to say this, from a traditional point of view: Reference Series (entry level, not balanced, that’s now changing more and more), Signature Series (fully balanced from input to output). They are all Class A. Well, the Reference Series is not fully Class A, that’s more like high biased Class AB on the power amplifiers. The Signature Series is fully balanced from input to output, all modular design. That’s really where we did the best we possibly could.”

Masterpiece Series: four years of refinement

“Then we got requests for the Masterpiece Series. That was a challenge! How do we make something better, which we thought that was already our best? Which is why I took … I think four years in total before we kind of got our heads around it. It’s difficult to say … very simple … what’s the difference between the Signature Series and Masterpiece Series. It’s refinement; it’s more power supply. To give an example … we have for instance our line stage in the Signature Series … that’s one chassis. Our line stage in the Masterpiece Series is composed of two chassis, so the power supply is external. So, that’s one thing. We moved the power supply away from all the sound electronics to minimize noise. We refine and we add more power supply steps. So, it’s refinement in that sense.”

hans-ole-vitus-10

Visit the Vitus Audio website.

Frequently asked questions

Why is Vitus Audio’s entry-level range called the Reference Series?

It’s named after the brand’s original slogan, “we start where others stop” — Vitus Audio begins where most other manufacturers reach their limit.

What makes the Signature Series different from the Reference Series?

The Signature Series is fully balanced from input to output, modular and Class A, while the Reference Series was traditionally not fully balanced and runs high-biased Class AB on its power amplifiers.

How does the Masterpiece Series improve on the Signature Series?

Mainly through refinement and additional power supply stages — for example, splitting the line stage’s power supply into a separate external chassis to cut noise. It took four years to develop.

Tags: Vitus Audio
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Marco Lisi

Marco Lisi

Publisher

Marco Lisi is the publisher of Best of High End, part of AV Concepts BV. His path into audio started early: as a teenager he was drawn into the world of free radio, presenting shows and living immersed in music every day. In his early twenties he ran his own production studio for five years, creating jingles and commercials — hands-on training in sound design, pro-audio workflows, and critical listening through studio monitors that still shapes how he evaluates gear today. He also spent years DJing in clubs before moving into publishing, first at two earlier online magazines before founding Best of High End. His hi-fi and home cinema passion was inherited from his father, an inveterate system-swapper. Marco's first setup — a confirmation gift — paired AKAI separates with entry-level Bowers & Wilkins speakers, a brand he stayed loyal to for years as his system grew from stereo into full surround and home cinema. Like many enthusiasts, he went through an extended "audiophile" phase chasing the next upgrade, before settling into a more grounded view: gear as a means to enjoy music and film, not an end in itself. Years of critical listening have given him a well-trained ear — the ability to characterize a system or pinpoint a change in the chain quickly and accurately. Just as important, his teaching background (a Belgian "regent" degree in Dutch language) gives him the tools to translate those listening impressions into clear, readable writing.

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