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Home Tech talk

Wilfried Van Baelen explains why Galaxy is one of the world’s most renowned studios

Marco Lisi by Marco Lisi
July 29, 2026
in Tech talk
Reading Time: 4 mins read

Best of high end visited the Galaxy Studios in Mol, Belgium; the home of AURO-3D. In this first part we asked CEO Wilfried Van Baelen: “Why is Galaxy one of the world’s most renowned studios?”.

This is the first video in a five-part series with Auro-3D’s inventor, who goes on to explain his motivation to develop Auro-3D itself, and later, his view on where audio and video are headed next.

  • Driven by innovation
  • Fully isolated
  • First in surround sound
  • The team behind the Formula 1 car

Driven by innovation

Wilfried Van Baelen: “Galaxy Studios is renowned worldwide because of its innovation; it’s in fact driven by innovation. Take the complex on itself for example. When the whole concept was designed – I designed it in 1991, about 25 years ago now – we had the idea to build an interactive studio complex. This means we have different kinds of acoustical rooms, all visually connected with each other, but fully isolated, with no crosstalk.

wilfried-van-baelen-part1-2

Each room has its own function; acoustically as well as technically, because we have about 4 control rooms with different approaches. One is more suited for pop/rock music; it’s an analog one. Another is more for classical music; for film music, scoring, etc. There’s a mastering room end a film mixing room. All the rooms have different applications.

Those rooms needed to be surrounded by different acoustical environments. For a guitarist or a solo player you’re fine with a small room, drums require a bigger room. To record a complete symphonic orchestra of 60 to 70 people you will need a hall to have great acoustics.

wilfried-van-baelen-part1-3

Fully isolated

Now how can you make such a complex with connected rooms that are all fully isolated? That requires a very special construction, that’s where Galaxy Studio is unique. All the rooms are put on metal springs. These rooms are in fact concrete bunkers, each with a weight of 150 to 1,500 tons. The springs have an isolating effect, starting from 3Hz!

The lowest frequency a human can hear is 20Hz. The way that isolation works is that you have to go a few octaves (in most cases 3 octaves) below the target frequency, to be able to isolate for example 20Hz. We hold the world record with isolation starting at 3Hz!

wilfried-van-baelen-part1-4

The isolation between each room is more than 100dB. The thickest glass panels in Europe are 11cm thick. The weight of such a glass plate is more than a 1,000Kg. Our air-conditioning is the most silent one ever build. The background noise of each room is less than 14dBA. When standing in such a room – after a few seconds -, you start hearing your own system.

There is just no background noise. That makes our studio complex very suited to record samples that they use for music productions. Basic piano samples for Yamaha and Roland were recorded here. The best sounding drum samples come from Galaxy Studios. Some of these samples are available in the AURO-3D format.

wilfried-van-baelen-part1-5

First in surround sound

Galaxy became very popular for its construction concept. On the other side we’ve always been very innovative with technology. Back in 1993, we installed the first 5.1 studio for music. The same time that 5.1 digital sound was introduced in cinemas worldwide, we started recording music in 5.1.

When I went to the mixing console manufacturers to ask for a 5.1 console, they told me that 5.1 was a format for film, not for music. I thought that we missed the second dimension in music. Quadraphonic sound for example was so much better. I was trying to be one step ahead. At one moment it all came together; the film formats and the music formats. The quadraphonic format didn’t really make it; today more and more music is released in 5.1 or even in the immersive AURO-3D format.

Galaxy Studios installed the first 7.1 mastering room in 2002. In 2005 we developed the AURO-3D format. One year later we installed the first digital intermediate workflow for 4K post production in Europe.

wilfried-van-baelen-part1-6

The team behind the Formula 1 car

So Galaxy Studios is not only about music – we recorded many well-known artists from pop to Rammstein -, but also about film. Film as a technical format; 4K became more important. Galaxy Studio started working with 4K 10 years ago.

We have different kind of clients. Our team is very experienced. You need the best pilot to drive the best Formula 1 car to win the race. It’s not only about the equipment, a good team is also important. It’s the combination of innovation and a great team that made Galaxy Studios to what it’s today.”.

Visit the website of Galaxy Studios.

Frequently asked questions

Why is Galaxy Studios considered one of the world’s most renowned studios?

Its interactive complex of fully isolated, acoustically distinct rooms, designed by Wilfried Van Baelen in 1991.

How well isolated are Galaxy Studios’ rooms?

Isolation starts from 3Hz — a world record — with rooms built as concrete bunkers of 150 to 1,500 tons on isolating springs, and over 100dB isolation between rooms.

What was Galaxy Studios first to do in surround sound?

It installed the first 5.1 studio for music in 1993, followed by the first 7.1 mastering room in 2002 and the Auro-3D format in 2005.

Tags: Auro TechnologiesGalaxy StudiosWilfried Van Baelen
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Marco Lisi

Marco Lisi

Publisher

Marco Lisi is the publisher of Best of High End, part of AV Concepts BV. His path into audio started early: as a teenager he was drawn into the world of free radio, presenting shows and living immersed in music every day. In his early twenties he ran his own production studio for five years, creating jingles and commercials — hands-on training in sound design, pro-audio workflows, and critical listening through studio monitors that still shapes how he evaluates gear today. He also spent years DJing in clubs before moving into publishing, first at two earlier online magazines before founding Best of High End. His hi-fi and home cinema passion was inherited from his father, an inveterate system-swapper. Marco's first setup — a confirmation gift — paired AKAI separates with entry-level Bowers & Wilkins speakers, a brand he stayed loyal to for years as his system grew from stereo into full surround and home cinema. Like many enthusiasts, he went through an extended "audiophile" phase chasing the next upgrade, before settling into a more grounded view: gear as a means to enjoy music and film, not an end in itself. Years of critical listening have given him a well-trained ear — the ability to characterize a system or pinpoint a change in the chain quickly and accurately. Just as important, his teaching background (a Belgian "regent" degree in Dutch language) gives him the tools to translate those listening impressions into clear, readable writing.

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