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Home Tech talk

What inspired Peter Lyngdorf to create Steinway Lyngdorf?

Marco Lisi by Marco Lisi
July 27, 2026
in Tech talk
Reading Time: 3 mins read

How Steinway Lyngdorf began, by Peter Lyngdorf’s own account, was almost an accident — a customer’s phone call rather than a business plan.

How Steinway Lyngdorf Began

  • A customer’s phone call started it all
  • From a proof of concept to the Steinway name itself
  • A relationship that still requires their approval

A customer’s phone call started it all

A Lyngdorf Audio customer, close to the owners and management of Steinway & Sons, called Lyngdorf simply because he was stunned by how convincingly his Lyngdorf system — freshly finished with RoomPerfect — reproduced a real piano. He asked whether Lyngdorf would be open to meeting Steinway & Sons. For Lyngdorf, there was no hesitation: Steinway & Sons, alongside Stradivarius, is one of the only brand names in music with that kind of standing, and Stradivarius has been gone for a century.

peter-lyngdorf-31

From a proof of concept to the Steinway name itself

A few months later, a visit to Steinway turned into a genuine conversation: the owners and management were interested in putting the Steinway name — not Steinway & Sons specifically — on an audio system, partly as a companion to a self-playing piano they had planned. Lyngdorf assembled his best engineers, and within a few months delivered a proof of concept, demonstrated in New York to strongly positive reactions. A handshake agreement followed, and development continued until a mock-up of what would become the Model D Steinway system was ready to present. The response from Steinway’s management, Lyngdorf recalls, was phenomenal — good enough that the CEO of Steinway & Sons offered to let the product carry the full Steinway & Sons name, the first time in 150 years of company history the brand had allowed that on anything that wasn’t a piano built in their own factory. That same design lineage eventually led to the Model B and the P300 processor.

peter-lyngdorf-32

A relationship that still requires their approval

That trust set the tone for everything since. Lyngdorf and his team still meet with Steinway a few times a year, and every new product released under the Steinway & Sons name still requires their sign-off — by now largely a formality, Lyngdorf says, since they know the standard will always be met. He still calls it an obligation as much as a privilege: every product has to be the best it can be.

Visit the Steinway Lyngdorf website.

Frequently asked questions

How did the Steinway Lyngdorf collaboration begin?

A Lyngdorf Audio customer, connected to Steinway & Sons’ management, was so impressed by his system’s piano reproduction that he arranged an introduction between Peter Lyngdorf and Steinway.

Why did Steinway & Sons want an audio brand?

They wanted to expand the Steinway name beyond pianos, partly as a companion product to a self-playing piano they were developing at the time.

Is this the first time Steinway & Sons put their name on a non-piano product?

Yes — it was the first time in the company’s 150-year history that the Steinway & Sons name was used on a product not built in their own piano factory.

Does Steinway & Sons still approve new Steinway Lyngdorf products?

Yes, every new product under the name still requires their sign-off, though Lyngdorf describes it as largely a formality today.

Tags: LyngdorfPeter LyngdorfSteinway Lyngdorf
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Marco Lisi

Marco Lisi

Publisher

Marco Lisi is the publisher of Best of High End, part of AV Concepts BV. His path into audio started early: as a teenager he was drawn into the world of free radio, presenting shows and living immersed in music every day. In his early twenties he ran his own production studio for five years, creating jingles and commercials — hands-on training in sound design, pro-audio workflows, and critical listening through studio monitors that still shapes how he evaluates gear today. He also spent years DJing in clubs before moving into publishing, first at two earlier online magazines before founding Best of High End. His hi-fi and home cinema passion was inherited from his father, an inveterate system-swapper. Marco's first setup — a confirmation gift — paired AKAI separates with entry-level Bowers & Wilkins speakers, a brand he stayed loyal to for years as his system grew from stereo into full surround and home cinema. Like many enthusiasts, he went through an extended "audiophile" phase chasing the next upgrade, before settling into a more grounded view: gear as a means to enjoy music and film, not an end in itself. Years of critical listening have given him a well-trained ear — the ability to characterize a system or pinpoint a change in the chain quickly and accurately. Just as important, his teaching background (a Belgian "regent" degree in Dutch language) gives him the tools to translate those listening impressions into clear, readable writing.

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