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Home News

Wilson Audio Alexia Series 2

Marco Lisi by Marco Lisi
July 13, 2026
in News, Loudspeakers
Reading Time: 2 mins read

When it came to designing the Series 2, every angle and curve was scrutinized, every structural element was considered, each of the metal components, large and small, were carefully examined for possible improvements. Nearly everything in the Alexia has been reworked for the Series 2 with an eye toward more elegantly following the underlying technological function responsible for the Alexia’s intrinsic musical rightness.

wilson-audio-alexia-series2-2

Driver matching

Already the leader in the industry for extremely unyielding manufacturing tolerances, Wilson has further tightened its driver matching protocols. Work was done in the crossover to make the Alexia Series 2 more amplifier friendly by slightly raising the nominal impedance. Using enclosure and wire management hardware first pioneered in the Alexx and the WAMM Master Chronosonic, the midrange enclosure’s internal volume was increased by 26.4%, and the woofer enclosure 10.8%.

Convergent Synergy tweeter

New WAMM Convergent Synergy tweeter, version Mark V. After hundreds of hours of careful listening, it was clear that Wilson’s tweeter continues to be the most musically authentic and intrinsically satisfying tweeter yet tested, regardless of diaphragm material.

Wilson has implemented a more advanced mechanism for adjustment of the tweeter module, which now features twice the number of adjustments. The Alexia is by a large margin the most time-domain correct loudspeaker in its category.

wilson-audio-alexia-series2-3

Visit the Alexia Series 2 product page.
Download the Alexia Series 2 press release.

Tags: LoudspeakersWilson Audio
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Marco Lisi

Marco Lisi

Publisher

Marco Lisi is the publisher of Best of High End, part of AV Concepts BV. His path into audio started early: as a teenager he was drawn into the world of free radio, presenting shows and living immersed in music every day. In his early twenties he ran his own production studio for five years, creating jingles and commercials — hands-on training in sound design, pro-audio workflows, and critical listening through studio monitors that still shapes how he evaluates gear today. He also spent years DJing in clubs before moving into publishing, first at two earlier online magazines before founding Best of High End. His hi-fi and home cinema passion was inherited from his father, an inveterate system-swapper. Marco's first setup — a confirmation gift — paired AKAI separates with entry-level Bowers & Wilkins speakers, a brand he stayed loyal to for years as his system grew from stereo into full surround and home cinema. Like many enthusiasts, he went through an extended "audiophile" phase chasing the next upgrade, before settling into a more grounded view: gear as a means to enjoy music and film, not an end in itself. Years of critical listening have given him a well-trained ear — the ability to characterize a system or pinpoint a change in the chain quickly and accurately. Just as important, his teaching background (a Belgian "regent" degree in Dutch language) gives him the tools to translate those listening impressions into clear, readable writing.

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