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Home Academy

Dolby Vision explained

Marco Lisi by Marco Lisi
July 18, 2026
in Academy
Reading Time: 3 mins read

Before we get stuck into Dolby Vision, it’s worth talking about HDR first. HDR or High Dynamic Range refers to an image that displays far greater contrast than regular images (Standard Dynamic Range, or SDR). The dynamic range of an image is the difference between its brightest and darkest areas. The higher this range, the higher the amount of available colours, and levels of detail, on screen.

dolby-vision-explained-2

  • What is Dolby Vision?
  • Are there any other differences to know about?
  • Does this mean I’ll be taking sides in another ‘format war’?

What is Dolby Vision?

In a nutshell, Dolby Vision is another type of HDR, but more advanced with some significant differences to know about. The process of implementation flows from initial content creation, through to mastering and then, finally, to the viewing experience at home. Dolby Vision HDR carries an extra layer of clever metadata that contains frame by frame instructions to ensure the content is portrayed as accurately as possible. Dolby Vision compatible TVs use this frame by frame information from the source to improve brightness, contrast and colour performance. Regular HDR simply sends a static, basic form of metadata that applies to the entire TV show or movie you’re watching. Dolby Vision can be transmitted through HDMI 1.4 devices and up, which means that an AVR with an older format can fully take advantage of the technology. Standard HDR content will still be seen by Dolby Vision compatible TVs, but will just display regular HDR metadata improvements.

Are there any other differences to know about?

Dolby Vision content is mastered in up to 12 bit colour depth, whereas regular HDR is mastered in 10 bit (which is why you’ll sometimes see it referred to as HDR10). Those extra two bits add a lot of colour depth and brightness to the screen, offering access to over 68 billion colours compared to just the 1 billion with 10 bit. This means the colour will be closer to what was intended on the day of the shoot.

dolby-vision-explained-3

Something else that helps all HDR content stand out is the brightness. The brightness of a TV is measured in nits. As an example, standard TVs are around 300 nits. To display an HDR10 image, a TV must be able to deliver a minimum of 1,000 nits. Dolby Vision can be mastered to around 4,000 nits for use on 4K compatible TVs. Actually… it can be mastered up to 10,000 nits but there isn’t a TV that can currently support this. However this does mean the format is future proofed for when displays are at a level to support it. We’re looking at you 8K and beyond!

Does this mean I’ll be taking sides in another ‘format war’?

Not exactly… Dolby Vision is an improved version of HDR. To use an audio analogy, think of Dolby Vision as similar to a FLAC file, it’s a premium standard that isn’t as widely adopted, but offers substantially better quality. Dolby are also on record reassuring us that than the two formats aren’t in competition with each other. Phew! Both can coexist nicely, as HDR10 can be utilised on Dolby Vision enabled TVs, just not the other way around. For TV manufacturers to take advantage of Dolby Vision they need to pay a license fee, whereas HDR10 is a completely free platform for manufacturers to work with.

Visit the Dolby website.

Frequently asked questions

How much more colour depth does Dolby Vision offer than standard HDR10?

Dolby Vision content is mastered in up to 12-bit colour depth against 10-bit for regular HDR — which is why the latter is often called HDR10. Those extra two bits give access to over 68 billion colours, compared with roughly 1 billion at 10-bit, keeping the result much closer to what was intended on the day of the shoot.

How many nits can Dolby Vision content be mastered to, and can current TVs display that?

Dolby Vision can be mastered to around 4,000 nits for 4K-compatible TVs, and technically up to 10,000 nits, though no TV currently on the market supports that ceiling — meaning the format is future-proofed for when displays catch up. By comparison, a standard TV is around 300 nits, and HDR10 requires a minimum of 1,000 nits.

Can HDR10 content still play on a Dolby Vision-compatible TV?

Yes. Dolby Vision compatible TVs will still show standard HDR content, just displaying the regular, static HDR10 metadata improvements rather than Dolby Vision’s frame-by-frame enhancements. The two formats aren’t in competition and can coexist — though it only works this way round, not the other: Dolby Vision content needs a Dolby Vision TV.

Does adopting Dolby Vision cost TV manufacturers anything?

Yes — manufacturers need to pay a license fee to use Dolby Vision, whereas HDR10 is a completely free platform for manufacturers to implement.

Tags: Dolby Vision
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Marco Lisi

Marco Lisi

Publisher

Marco Lisi is the publisher of Best of High End, part of AV Concepts BV. His path into audio started early: as a teenager he was drawn into the world of free radio, presenting shows and living immersed in music every day. In his early twenties he ran his own production studio for five years, creating jingles and commercials — hands-on training in sound design, pro-audio workflows, and critical listening through studio monitors that still shapes how he evaluates gear today. He also spent years DJing in clubs before moving into publishing, first at two earlier online magazines before founding Best of High End. His hi-fi and home cinema passion was inherited from his father, an inveterate system-swapper. Marco's first setup — a confirmation gift — paired AKAI separates with entry-level Bowers & Wilkins speakers, a brand he stayed loyal to for years as his system grew from stereo into full surround and home cinema. Like many enthusiasts, he went through an extended "audiophile" phase chasing the next upgrade, before settling into a more grounded view: gear as a means to enjoy music and film, not an end in itself. Years of critical listening have given him a well-trained ear — the ability to characterize a system or pinpoint a change in the chain quickly and accurately. Just as important, his teaching background (a Belgian "regent" degree in Dutch language) gives him the tools to translate those listening impressions into clear, readable writing.

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