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Focal Shape Twin benchmark monitor

Editorial Staff by Editorial Staff
January 28, 2018
Reading Time: 2 mins read
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This standard bearer of the Focal Shape series features two passive radiators, woofers equipped with a new Flax cone, and the latest “M”-shaped Aluminium/Magnesium inverted dome tweeter. Perfect weapon of mass production for professionals.

focal-shape-twin-benchmark-monitor-2

Made in France

Focal Shape Twin is made in France, just like Shape 40, 50 and 65. Designed to meet the needs of nearfield monitoring, these monitors combine an ingenuous design and numerous settings optimised for the acoustics of small listening rooms. Shape Twin stands out through its excellent rendering over the whole audio spectrum, its broad frequency response in the low end, and its high SPL considering its size. The compact design makes it easy to integrate even into the most cramped of rooms. Finally, its 2.5-way design gives it a real advantage when it comes to controlling the bass and lower mid-range registers which are the hardest to control in small rooms. Shape Twin’s five innovations present a remarkable tonal balance, with very wide and precise stereo imaging. The low frequencies are well defined as well as controlled. The low-mid and mid ranges provide a true neutral sound.

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Key features

  • Tweeter with very low directivity for a flexible listening position;
  • Designed without a port, but with a double passive radiator, allowing it to be placed near a wall;
  • Numerous settings for optimal integration;
  • Accurate control, even in the very high end;
  • Flax sandwich cone: controlled and well defined bass, natural and detailed lower mid-range and upper mid-range ranges;
  • Mounting mechanisms present on the back and underneath the loudspeaker: for installing on a table stand, a microphone stand, the ceiling or a wall (mounting accessories not supplied).

focal-shape-twin-benchmark-monitor-4

Visit the Focal website.

Tags: FocalNamm 2018Studio monitors
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Editorial Staff

Editorial Staff

An exceptional collection of pencils, pens and keyboards, all equally possessed by audio and video. In some dark den, hidden from all women, our editorial staff write and type about their infinite love of the audiovisual. Please, have some compassion!

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